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Chapter 334 Discovering new clues

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    Yu Weigang laughed after listening to Meng Zitao's words: "You're so good, it's very honorable to say it."

    Meng Zitao said with a strange expression: "I said, the reason why you want to learn this tea ceremony is not to show off, right?"

    Yu Weigang shrugged his shoulders: "Don't judge a gentleman with a villain's heart. If you really want to say that, then I might as well learn the art of incense. Tens of thousands of dollars of agarwood will be gone after a few days of burning."

    "Then you have to be willing to bear it."

    Meng Zitao laughed, then pointed to a shop not far away and said, "I remember that shop sells tea sets. Let's go and ask."

    This is a shop that specializes in selling tea sets and a small amount of jade. The shop is not big, but it is quite tasteful.  When Meng Zitao and the others walked into the store, they found that the shopkeeper was already packing things and getting ready to close.

    This is normal. After all, it is already past three in the afternoon and it is not a holiday. Some shops are not open at all.

    When the shopkeeper saw Meng Zitao and the others, he smiled and said, "Guys, don't know what you want to order?"

    Meng Zitao said: "We want a set of tea sets. We just need the ones made now. I wonder if you have any, shopkeeper?"

    The shopkeeper smiled and said: "You are really right. I happen to have two tea sets here. Please sit down first and I will show them to you."

    "Okay, sorry to trouble you."

    Meng Zitao sat down and looked around. Just as his eyes moved from the tea set to the ancient shelf with jade next to it, his heart suddenly "knocked", as if a voice was reminding him that something in his sight  Things are very important to him.

    "I gonna go see."

    Meng Zitao said something to Yu Weigang, got up and walked to the ancient shelf. Only then did he notice that it was a jade plaque.

    This jade plaque has fine jade quality and pure white jade. With just a few knives, it depicts a landscape picture. On the back is an ancient poem engraved, "I have an eternal house, Songyang Jade Girl Peak. A piece of moon will stay forever and hang on Dongxi River."  Pine. You go and pick up fairy grass, calamus flowers and purple velvet. We may visit you at the end of the year, riding a white dragon in the blue sky."

    Judging from the patina on the surface, this jade tablet should have been made in the late Qing Dynasty.

    "What kind of poem is this?"

    Meng Zitao felt that this ancient poem was very familiar, and he racked his brains to recall it: "By the way, this is Li Bai's "Send the Yangshan People Back to Songshan", etc"

    Meng Zitao suddenly had an idea in his mind. Is the "Yangshan" here the same clue that was not used in the previous treasure clues, "Yangshan"?

    Thinking of the reminders given to him by his sixth sense, the more Meng Zitao thought about it, the more he felt it was possible.  However, the title of the poem actually does not refer to Yangshan, but to the people of Yangshan, referring to the hermit named Yang. If it is really what I thought, the clue to the treasure actually refers to Songshan Mountain?

    "Isn't the span between Yangshan and Songshan too big?" Meng Zitao was very confused about this. He felt that even if it was what he thought, there must be other clues, otherwise the jump would be too big.

    Of course, no matter what, this jade plaque must be bought.

    At this time, Yu Weigang shouted: "Zitao, come and help me take a look at these two sets of tea sets."

    Meng Zitao walked back with the jade sign, and the shopkeeper first introduced to him the characteristics of the two sets of tea sets. One set was more ordinary and suitable for newcomers, while the other set was more high-end, and of course the price was not cheap.

    What Meng Zitao meant was to buy an ordinary set first. If Yu Weigang wasn't interested in it, he wouldn't lose much.

    However, Yu Weigang repeatedly emphasized that he really liked the tea art of ordering tea, and if the two sets of tea sets were not expensive, he would buy them both.

    The shopkeeper was very happy when he heard that Yu Weigang was going to buy them all. In the end, the two bargained and settled the deal for 20,000 yuan.

    Next, Meng Zitao discussed with the shopkeeper and bought the jade plaque for five thousand yuan.

    "Hey, do you want me to buy a purple clay pot?" Yu Weigang asked in a low voice while the shopkeeper was packing.

    Meng Zitao asked a little strangely: "Why do you think of buying a purple clay pot again?"

    "Hey, aren't you trying to be arty?" Yu Weigang chuckled, and then said: "Anyway, the purple clay pot should not depreciate in value based on the current market price, right?"

    "It has to be a famous purple clay teapot, otherwise it won't be worth much."

    Yu Weigang said: "Then buy one from a famous brand. I just put it in the office, and it doesn't need to be too good."

    Having said this, he asked the shopkeeper:?Gloss.  "

    Hearing this, Yu Weigang stared at his purple clay pot and said, "The color of my pot is indeed as you said. The color is warm, elegant and simple, and the luster is also good. Is it made of good purple clay?  "

    "Yes, it should be made of fine clay, and it is well maintained. Both of these aspects add a lot to the whole pot."

    Meng Zitao continued: "Let's continue talking about shape, which refers to the shape of the purple clay teapot. To evaluate the purple clay teapot artwork from the perspective of the shape, we need to consider the originality, cultural content, and artistic communication techniques of the shape, etc.  It is required that the purple clay teapot should be unified in terms of use function and artistic shape to achieve a perfect combination."

    "Workmanship refers to the quality of the workmanship of the purple clay pot. Every part of the purple clay pot must be completed by a combination of points, lines, and surfaces, including the pot shape, lid, spout, handle, foot, knob, etc.  .¡±

    "According to the purple clay artist's requirements for making pots, it should be round when the circle should be pointed and square when it should be square; the line should be straight when it should be straight and curved when it should be curved; the surface should be light when it should be smooth and rough when it should be rough.  It must be made strictly according to the requirements without any sloppiness. For example, the spout and handle must be in a straight line. These are all requirements of workmanship" (Remember the website address: www.hlnovel.com
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