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However, there are advantages to hiding in Texas.
In the past few days, Ginny rarely spent time alone with Luke, and they could even ride horses into the mountains together.
Riding a horse together, galloping, and enjoying the wind and lightning on the horse's back with constant ups and downs was a feeling she had never experienced before.
The female CEO spent Christmas happily and welcomed the official arrival of January 1, 2011 with Luke.
At this moment, Elena, who had returned to Paris for the festival, called Luke in the mountains and told her that there was an emergency there and she was flying back to New York.
After being soothed by Luke these past few days, Secretary Ginny, who was exhausted, had no objection and simply let him go.
But she herself stayed at another ranch next to the United Ranch, saying she wanted to take a short vacation for herself.
Ginny had bought that ranch a long time ago, and her exclusive country house had been built for two years, just waiting for her to move in.
Luke didn¡¯t have time to pay attention to Ginny¡¯s little actions, but got on the private plane and returned to New York immediately.
Elena didn¡¯t explain what kind of emergency situation it was on the phone, and her personal security didn¡¯t send an abnormality report. It could only be - a painting of foreknowledge.
This is the only thing Luke has repeatedly told Elena not to reveal a single word unless the two of them are face to face.
He arrived in New York first and stayed at the airport to personally pick up Elena, who arrived in a hurry.
The two of them arrived at Luke's den. After Elena made sure that he was safe, she opened the special easel box she brought with her, revealing two sketches that were mostly blank.
Luke stepped forward and took a quick look at each before looking at the first painting seriously.
One of the characteristics of precognitive paintings is that they are sloppy, but this painting is definitely the sloppiest among them.
What is seen on the screen is a rough sea, in which the upper half of a huge round head has just emerged from the sea.
The scrawled picture contains a sharp sense of impact, allowing people to easily feel the majestic momentum of the owner of the head as it rises.
The two small figures in front of the head have become the best reference objects, setting off the hugeness of the round head.
Luke narrowed his eyes slightly, and first looked at the very familiar figure in black and white armor, and the Odachi sword in his hand that was longer than his body length.
There is no doubt that this is Beidou.
In just a few seconds, he focused all his attention on another figure.
He has a bald head, a cosplay-like robe, and is about the same height as Beidou wearing a battle armor.
Looks familiar! This man looks very familiar to Luke.
But he didn¡¯t think of it immediately, which proves that the two of them didn¡¯t meet often, but they had deep memories.
With his mind spinning rapidly, Luke was suddenly stunned: "177a Brick Street, Manhattan?"
This is the bald woman drinking milk tea on the rooftop of that old building, turning her head to watch Batman fly by.
She is also one of the few women that Luke dare not investigate in depth.
Because, in the eyes of drones and most people, there is no such old building at 177a Brick Street.
There may be two reasons why Luke can see Xiaolou and this bald woman: First, he has the ability to see her. Second, she allows him to see herself.
No matter which one, this is beyond the scope of normal superpowers.
Turning virtuality into reality, transforming reality into virtuality, and being between virtuality and reality, these characteristics are too obvious.
It¡¯s either magic or divine power, and it¡¯s at a very advanced level¡ªGuarantee is also an old Mo¡¯s starting point.
Suppressing the divergent thoughts in his heart, Luke returned his thoughts to the painting of prediction in front of him.
? Judging from the picture, Beidou has entered a state of preparation and is about to explode with full force.
The bald woman, with her hands behind her back, floated upright in the air, not nervous at all, and had the air of a cold and aloof boss.
Looking at the positions and movements of her and Beidou, they may be friendly, and at worst not hostile.
Thinking of this, Luke turned his attention away and placed it on the half-bald round head on the sea.
This big head seems more familiar than the female boss¡¯s bald head, right?
There are several connections between being in the sea, round head, super big, and Beidou's Odachi, but there is only one truth - this is the super big octopus!
This big guy, who was met twice by Luke and tricked twice, is indeed qualified to be admitted to the Painting of Precognition.
The first time we went on a cruise, it was still in the category of being invincible by manpower.
When the North Pole was cut by Luke, it was stolen.When he has an Odachi, it becomes very difficult to kill.
In the Arctic, not only was it larger in size, it was also ridiculously resistant to damage.
The Odachi that can cut through Ultron's semi-vibranium body can hardly break through the defense. Most of the ordinary conventional thermal weapons are almost ineffective against it.
That huge body weighing tens of thousands of tons can easily set off huge waves and flood many seaside cities.
This big octopus is not an aircraft carrier. It can wave thousands of tons of tentacles entirely on its own power.
The aircraft carrier only relies on power to move forward, but its own weight is solved by buoyancy.
??If you have to compare, this big octopus is on the same level as the space carrier.
In terms of long-range attacks, it should be weaker than the space carrier.
In terms of defense and close-range destructive power, it is far stronger than the space carrier.
But, this is not enough.
If this guy was still as strong as he was at the North Pole, Luke would have beaten him away once, and he would have beaten him away a second time.
¡°After all, he only lost an Odachi that time in the North Pole, and he was basically not in danger.
A big octopus of this level is not qualified to let the mysterious bald female boss appear.
You must know that when the Chitauri fleet opened a wormhole in New York, this man was only on the roof of a small building, casually slapping some soldiers who came near to death, and did not show up at all.
After thinking for a while, he moved the painting away to reveal the second painting below.
This picture still shows a monster.
It is flying in the air, and its target seems to be the city not far below.
But this monster is not completely drawn. Except for a pair of bat wings and a bat-like head, the rest of the picture is blank.
This is the second characteristic of the painting of foresight. It never shows everything completely, only part of it.
Like the first picture, there is only a circle of the sea and the half-round head of the big octopus, and it is not even sure where it is.
In this second picture, Luke saw a very familiar building in the city below.
After looking carefully for a moment, he sighed and hugged Elena next to him: "Is this the Golden Gate Bridge?"
Elena nodded affirmatively: "Yes, I have been to San Francisco several times to collect scenery. When I drew it, I knew it was there, so I came back in such a hurry."
Luke gently stroked her back to calm her nervousness.
There is no ordinary creature that can be the protagonist of the painting of foresight.
The first big octopus, Elena, couldn't see much. The battle on the sea might not involve many people, she just felt uneasy.
But this bat-winged monster was obviously headed for San Francisco, where there were a lot of people.
Luke picked up the coffee that Xiaowo had just delivered by robot and poured her a cup: "Okay, don't be nervous, leave everything to me." (Remember this site's website address: www.hlnovel.com