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Through the recommendations of domestic fourth-generation directors, Qiao Mu finally contacted several good fifth-generation directors and a dozen not-so-bad sixth-generation directors.
Yes, domestic directors have seniority.
This also stems from the habit of ranking based on seniority.
Generally speaking, the group of domestic film and television pioneers in the 1920s are called the domestic generation of directors. Before that, there were no domestic films and TV series in China. They were the pioneers and pioneers of the domestic film and television industry.
The second generation of directors are directors from the 1930s and 1940s. They are considered the founders of the domestic film and television industry. They are also the first batch of domestic directors to take film and television from pure entertainment to analyzing human nature and reflecting social reality.
The third generation of directors are more constrained due to certain reasons, so they have not made much contribution, but their artistic achievements and skills cannot be denied.
The fourth generation of directors, the ones Qiao Mu knows, should be considered relatively formal in China. They were the first directors to graduate from professional film academies and major film studios. They also led the renaissance of the domestic film and television industry.
However, due to the times, most of the content they filmed was based on rural areas, reflecting the lives of ordinary people, Lower Riba people.
Because of the opening of the country and market liberalization, the fifth generation of directors has received a lot of influence from foreign film and television knowledge, and has brought the entire film and television industry from the original Lower Riba people to the bright spring snow.
Although many fine works have been produced, it has indeed led to the fact that some of the works of the fifth generation directors have become divorced from the reality of the masses and have become self-entertainment.
The sixth generation are directors from the 1990s.
Now we should be considered the seventh generation, or even the eighth generation of directors. Maybe the ninth generation has already emerged, but this group is basically called the new generation of directors.
To be honest, what Qiao Mu values ????more is the sixth-generation directors, because there are too many young and talented directors among the fifth-generation directors. Many of them have their own ideas and special styles and are unwilling to accept other people's suggestions. At the end of the road, some thinking has even begun to become rigid and unwilling to accept new changes.
Therefore, Qiao Mu just signed a contract with those fifth-generation directors, saying that they would invest in at least one film for each of them every year, but the premise was that the script must pass Qiao Mu's review.
And the treatment for the sixth-generation directors is better.
It gave them a lot of autonomy, and also said that as long as they are willing to shoot the company's designated script, the company can give their film special effects that are not inferior to those of Inquiry into Immortality.
This is quite attractive.
As soon as Qiao Mu proposed it, six directors expressed their willingness to accept the company's arrangement and could shoot the specified script, but the actors should not be too bad.
Of course Qiao Mu has no objection to this.
Therefore, at the end of the year, the movies produced by the entertainment company Qiao Mu and her ex-husband switched directly accounted for 60% of the box office of Lunar New Year movies.
The box office champion also comes from their family.
How to describe it?
Just over the month of the New Year alone, the total box office revenue was as high as 8 billion. You know, when Qiao Mu and her ex-husband changed the entertainment company, the market value of that entertainment company was only worth 10 billion, and the market value was 10 billion and 10 billion. There is a big difference in cash. A company with a market value of tens of billions can only sell for four billion, but if it can survive, it can sell for two to three billion. Moreover, the artists in the company and even all kinds of copyrights must be taken into account. .
If artists and copyrights are not included, then the most valuable thing of a shell company is land and buildings. One billion is enough.
While achieving great box-office gains, Qiao Mu also fulfilled his original wish.
Because she shamelessly brought money into the group.
She is so old. Obviously no director is stupid enough to let her be the heroine. It is impossible for her to be a supporting actress. If she is exhausted, she will be the villain's evil grandma or the hero's long-dead grandma or something.
But the original wish can be summed up as becoming famous, so Qiao Mu naturally had to find a way, and the last way he came up with was to spend money.
I paid someone to write a fantasy script with an older heroine, a strong female character, and then hired some actors with pretty good acting skills. They have basically been relegated to the second line, but once quite famous male and female stars are acting as supporting actors, that is, they are now For those movie queens and movie kings in their thirties and forties, the movie queen and movie king awards they received were still somewhat valuable. Unlike now, they were basically the same as those bought with money.
The cast is complete, and there is no shortage of director Qiao Mu, and Qiao Mu is very generous with props and other items.Spending money, some of which are really hard to find, Qiao Mu even took a lot of real antiques and real jewelry from his inventory and used them. With the blessing of special effects, it became an instant hit and became a big hit.
joke.
When others use popular stars, she uses real movie queens and movie kings. When other directors shoot casually, she doesn't tolerate any flaws. If she makes a wrong look, she will appear in the same place. There was a water glass that should not have appeared, and everything had to be retaken.
While other crews used all kinds of low-quality costumes and props, she used all kinds of silk brocades, and all the jewelry was real gold and silver, and the antiques and the like were all real.
? plus top-notch special effects.
Who can compare?
" Qiao Mu made this movie not to make money, but to become famous. She only had this purpose and no other purpose.
At the beginning, when the poster and cast of this film came out, everyone was really ridiculing and abusing them. They ridiculed a group of people who were half dead, and even banded together to make a film together, cursing Qiao Mu for being so useless at such an old age. Face, and also learned how to bring money into the group.
However, when the trailer comes out, especially when the film is officially released, it smells so good
With Qiao Mu's generous investment, the film "The Legend of Empress Wenxi" in which she was the lead star was flawless. No matter which scene, corner or frame there was, there was no fault to be found. How could one strive for perfection? It's so refined that the various dishes and jade pendants thrown inside are all real and authentic.
Such an exquisite and luxurious movie has never been seen before. Even the Titanic, which sank a cruise ship, cannot be compared to it, because in Qiao Mu's movie, only the concubines in the harem were angry and fell. The total value of all kinds of jade ornaments and antiques lost exceeds 100 million.
Top actors, top production, top props and top special effects are simply unrivaled.
It is not an exaggeration to say that it has swept the world.
Of course, if Qiao Mu does this, even if her movie finally wins the box office championship with a total box office of nearly 5 billion, it will still be a loss.
But it doesn¡¯t matter.
It is more important to fulfill the original wish. (Remember the website address: www.hlnovel.com