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Hu Shi¡¯s first conversation was with Zhang Hanqing.
"Young Marshal, I haven't heard of your masterpiece for a long time since the song "Shayannara". I wonder if there are any new works coming out recently? Once Young Marshal comes out, it will definitely be a masterpiece. Who can say that you can write about separation with such depth? Modern poetry has no artistic conception?" He started to face Zhang Hanqing, and as he spoke, he looked at Huang Kan, which meant something.
As we all know, Huang Kan is a staunch supporter of vernacular writing. He has always believed that new poetry has no nutrition and cannot write as grand and profound as old-style poetry. Now, he talks about Zhang Hanqing's achievements in old-style poetry.
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? In the past, I wrote modern poetry because I was not afraid of being accused of plagiarism, so I just wrote it. Now in 1924, some famous poems have begun to be published in newspapers. Zhang Hanqing is not sure whether some poems have been born. He only remembers the poems but forgets the year of birth. Considering the backwardness of communication technology, if you accidentally blurt out a poem that has already been published, your reputation will be ruined.
Therefore, the later he got, the more cautious he became about writing modern poetry, and he even "stopped pen writing" for a time.
When Hu Shi asked, he just smiled and said: "Poetry is a small way, for pleasure and entertainment. Nowadays, state affairs are busy, and I really have no mood to write these things - there are specialties in art, and in front of Brother Shi, I can only I am just a spectator and listener. However, thanks to my sincerity, I was not kicked out of the Liang family, and I have to thank Brother Liang for his generosity."
He was telling the truth. After all, Hu Shi was a master of both Chinese and Western studies. His half bottle of vinegar still tasted sour when poured out, but over time it tasted like nothing. It was better to leave early. However, he blamed his inability to write poems on state affairs. In Liang Qingzhu's eyes, a picture of great concern for the country and the people emerged on the page.
Huang Kan went on to say: "If I say, what the Young Marshal really admires is the old-style poetry. "Qing Ping Le", "Nian Nu Jiao", "Shui Diao Ge Tou", "Qin Yuan Chun" are all excellent works, worthy of their praise. Compared with all the people in the past, we should not let the sages of the past be the most beautiful. It can be seen from many of the young commander's poems that vernacular poetry is just drama, and old-style poetry is the most praised."
No matter whether one is good or bad, Zhang Hanqing is always praised. No matter which one is better or worse, it is Zhang Hanqing who shines. Their argument made it difficult for the person involved, Zhang Hanqing, to deal with him. Anyway, he had to be humble.
Hu Shi disagreed: "Old-style poetry requires a certain knowledge of writing, but it is not as easy to understand as vernacular literature? Young Marshal wants to popularize education. Is it easier to understand vernacular literature or ancient Chinese literature? Times are changing, and our understanding in the cultural world must also be consistent with Keep up with the times.¡±
The term ¡°advancing with the times¡± was first used by Zhang Hanqing at the Central Plenary Session of the People¡¯s Party at the beginning of the year. It later became a weapon for reformers to oppose the conservatives, and even Hu Shi used it.
Huang Kan got excited: "Vernacular writing is too wordy! For example, brother Shi, your wife died, and your family sent a telegram to notify you personally. If you use classical Chinese, it would be 'your wife is dead, come home soon', but if you use vernacular it should be written 'your wife'" He's dead, come back quickly' 11 words, the telegram fee is twice as expensive as using classical Chinese."
The whole audience burst into laughter. No one was ashamed of Huang Kan's evil words about his wife. Only Liang Qingzhu had been in the circle for a short time and didn't know the ins and outs of it. He secretly asked Lin Hui why he dared to say that, but Hu Shi wasn't angry and everyone found it interesting. You can't play with your friend's wife, and now he even uses curses.
Speaking of this matter, there is a long story. To make a long story short, Hu Shi lived in this era, in which concubinage was actually allowed, and brothels could be found everywhere. There were many people around him who had three wives and four concubines, and Zhang Hanqing was an outstanding representative.
However, the wife he married is very special. Her name is Jiang Dongxiu, she is one year older than Hu Shi (there is also a local saying similar to the saying in the north that "a girl who is one year old cannot be a wife"), is much shorter than Hu Shi, has a bad figure, and looks good. Usually, my feet are bound. What made Hu Shi even more dissatisfied was that not only had she not been baptized by the new culture, she could not even read a few words.
But I can¡¯t stand her bravery.
Hu Shi is a lover. While attending a meeting in Hangzhou last year and recuperating from illness, he hit it off with his third sister-in-law, Cao Chengying, who offered to take care of Hu Shi and move in together.
Jiang Dongxiu knew about this, but didn¡¯t think much about it. After all, they were relatives and fellow villagers. But soon Cao Chengying became pregnant. She divorced her ex-husband, and Hu Shi also filed for divorce, which angered Jiang Dongxiu. Not only did she make a fuss, but she also drank twenty bowls of wine out of anger and threatened to kill her two sons.
This matter is no longer a secret in the circle. Hu Shi is a passionate scholar, so he retreated. After all, the reputation of "unlucky" is not something he can bear. So when people ridiculed him, "Hu Shi's fame spread throughout the world, and so did his wife's little feet." He could only smile. All his friends who pitied him could only "curse Mrs. Death"We meet each other again and plan to live another life from afar. Who will believe that he will live another life? A misty and lingering feeling.
How could I miss you at that time? I know there is drifting, but drifting after all, even if it is drifting, I still feel sorry for you. "
I vaguely remember that this is "Picking Mulberry" written by Huang Kan. Before time travel, I had read it and thought it was very sentimental, but now I am not sure when it was written, so he vaguely said "I have read" the poem. If Huang Kan admits it, that¡¯s okay, I¡¯m just borrowing it; if Huang Kan doesn¡¯t respond, no, I¡¯ve composed another good song!
With this poem, he decided to say goodbye to Lin Huiyin in his imagination. They are not the same kind of people and are destined to have no intersection. He was unwilling to hurt such a wonderful woman with backbone, culture, and ideals. After many years, he could still remember the conversation between her and her son Liang Congjie recorded in history:
"What will we do if the Japanese really come in?"
"There is always a way out for Chinese scholars. Isn't the Yangtze River right at our doorstep?"
Meeting such a woman in this time and space is a kind of fate, which is rare. To use a line: If you want to blame, you can only blame yourself for being so late in meeting, and fate is playing tricks on people.
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