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The owner of the painting is a slightly fat middle-aged man. He saw his painting fell to the ground and was seriously damaged. His hands were trembling with pain.
"What's wrong with you? Don't you have eyes when you walk?"
Song Lina and his wife ran over and apologized to each other repeatedly. They checked Ji Lan's injuries. Fortunately, they only hit the lower part of the eye socket and did not hurt the eyes.
The owner of the painting said angrily: "I'm sorry, can you forget about it? My painting has become like this, you must compensate!"
Although the other party¡¯s attitude was not good, Song Lina could understand and nodded: ¡°Yes, yes, we will definitely compensate, but can we go to the hospital first to help treat her wounds?¡±
"No, if you run away, where can I find someone?" The owner of the painting stopped them and refused to leave.
Song Lina said: "Sir, we can call the police first, and there is surveillance here, so there is no need to worry about us running away."
"That's nice to say, I'll pay you first!" The owner of the painting had a very bad attitude: "This is Li Keran's work. If you run away, who will I ask to pay for it?"
At this time, Meng Zitao came over, and Miyamoto Shaojin greeted: "Meng Sang, what a coincidence, we meet again."
Meng Zitao asked: "Is Mr. Miyamoto permanently stationed in the mainland?"
Miyamoto Shaojin smiled and said: "Your country is vast and rich in resources, and has many talents. There are many calligraphy masters with whom I can communicate, which is very helpful for my improvement."
"Then I wish you all your wishes will come true." Meng Zitao said.
Miyamoto Shaojin expressed his gratitude.
"Hey, do you still want to settle it?" The owner of the painting couldn't help it.
Meng Zitao said: "Of course the matter must be resolved, but since you said this painting is the original work of Mr. Li Keran, it should be worth a lot of money."
The owner of the painting said: "That's for sure, my painting is worth at least more than seven million."
"What! More than seven million!" Song Lina, his wife and Ji Lan were shocked.
"Of course, this is Li Keran's work. The price I mentioned is still a conservative estimate." The owner of the painting looked at the scroll heartbrokenly. For him, money is second. If the painting is destroyed, it will be difficult to find another one.
Meng Zitao nodded to Song Lina and the others. Li Keran's works are indeed very expensive in today's market. This is because Li Keran has been very rigorous and meticulous in his creation throughout his life. He paints slowly but not quickly. It can take as few as several days to create a piece of work. Months later, if they are not satisfactory, they are often discarded. They call themselves "Three Thousand Waste Paintings".
His extant works have three characteristics: First, there are many exquisite works. Whether it is landscapes, figures or cow paintings, his life style is so distinctive, strong and fascinating. Especially the Guilin landscape works created in his later years have reached the state of perfection. It is also a target pursued by investors and collectors.
Secondly, Li Keran's paintings are very rare. According to incomplete statistics, his works in his lifetime did not exceed a thousand pieces, which is even fewer than Fu Baoshi's handed down works. This has exacerbated the shortage in the market. Thirdly, it is very difficult to imitate Li Keran's works. Because the creation of Li Keran's works is famous for his strength and accumulation of ink, and has clear layers, especially his unique grasp of the sense of light, which often discourages forgers.
It is for these reasons that the price of Li Keran¡¯s works fluctuates every year.
After a while, Song Lina said: "Since this painting is so valuable, why don't you protect it and don't even have a box? You shouldn't be a porcelain painter, right?"
"Fart!" the owner of the painting scolded: "I just got this painting a while ago, and I was going to re-frame it, but who would have thought that this woman would bump into me without my eyesight!"
"There's something wrong with what you said. The surveillance showed that you suddenly took two steps back and then bumped into each other. To put it into perspective, you should be more responsible."
The speaker was Manager Zhu, who had just learned the truth. He also received Meng Zitao's instruction and called the monitoring room to retrieve the monitoring.
Hearing what Manager Zhu said, the owner of the painting was very surprised. His eyes widened with anger and his voice was loud: "Manager Zhu, are you planning to go too far?!"
Manager Zhu frowned slightly: "Mr. Yu, what do you mean by this! Am I talking nonsense?"
At this time, the police came, and Manager Zhu took everyone to the room for treatment. During this period, Meng Zitao showed Ji Lan the wound. The wound was a bit deep, but otherwise there was no problem.
In addition, the surveillance video from the time of the accident was also brought over. The content of the video is indeed the same as what Manager Zhu said. If the owner of the painting had not suddenly taken two steps back, the painting would definitely not have been hit by Ji Lan.
Of course, Ji Lan running too fast is also a problem. The police¡¯s intentionIt can be repeated many times, even after applying color, it can be roughened, outlined, and painted until it is full, so that the object has a spicy and thick three-dimensional sense and texture.
Because of limited time, it was impossible for Meng Zitao to create large-scale works, so his works were displayed in front of everyone after more than an hour.
This is a landscape painting, with the arrangement of hills and valleys, such as halberds poking the sky and flags arrayed, breaking the usual triangle or V-shaped overlapping, and using the towering and upright main peaks to build momentum and pull towards the foreground. There is only a line of white fish belly left on the upper edge of the whole picture, and there are thousands of rocks and ravines far and near, with ups and downs.
The main peaks are projected with an extremely strong side backlight, and the light from the pine tree stone base in the lower right corner echoes it and reflects the sky. The structure here is a tall and huge barrier like a natural screen, with strong integrity.
From the perspective of composition and arrangement, the painting injects magnificent modern formal elements into traditional freehand painting, shaking the soul with huge visual impact. It also made Tang Yi and others stunned. (Remember the website address: www.hlnovel.com