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Chapter 746 Another discovery

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    While they were arguing, the stall owner suddenly threw the copper pipe in his hand to the ground, and with a "bang" sound, he smashed another porcelain bowl on the stall: "Why don't you give me a try today?"

    Not to be outdone, Chen Zhongfeng waved to the stall owner: "Come if you have the skills!"

    Chen Zhongfeng¡¯s provocative actions made the stall owner completely angry.

    Meng Zitao hurriedly walked up and persuaded: "Everyone calm down, you don't want to fight over a plate, do you?"

    "Now there are two pieces." The stall owner said angrily.

    "You smashed it yourself and you blame me?" Chen Zhongfeng was also furious.

    The stall owner said: "If you hadn't compensated me, would I have been so angry that I smashed the things?"

    Chen Zhongfeng smiled: "You are really funny. Do you blame me for killing someone?"

    ¡°Don¡¯t talk nonsense, when did I kill someone?¡± The stall owner suddenly became excited.

    At this time, a policeman rushed over. After understanding the situation, he mediated: "As the saying goes, harmony makes money. Why bother to make a fuss over a trivial matter? As the old saying goes, the sky is brighter when you take a step back. If everyone takes a step back and settles the matter,  As long as it¡¯s resolved, forget it.¡±

    Meng Zitao gently pushed Chen Zhongfeng and asked him to express his position.

    Chen Zhongfeng said: "Okay, I'll take a step back and add fifty more, for a total of one hundred yuan."

    The policeman said to the stall owner: "This gentleman is willing to take a step back. What about you?"

    The stall owner just paused and agreed: "Think of me as unlucky."

    Chen Zhongfeng reluctantly took out a hundred yuan and handed it to the police. He didn't want to have any contact with the stall owner now.

    The stall owner has collected the money from the police and the matter is over.

    Not long after leaving the stall, Meng Zitao walked quickly to the policeman, said something, and then returned.

    "What are you doing?" Chen Zhongfeng asked curiously.

    "I just told you some situations." Meng Zitao smiled.

    "what's the situation?"

    ¡°I just told the police officer just now that when you mentioned murder, his behavior was very abnormal, and when the police passed by, his eyes were a little panicked.¡±

    He Wanyi was a little unbelievable: "No, did that person really kill someone?"

    Meng Zitao spread his hands: "I'm not sure about this. Whether he killed someone or not, that's something after the police investigation."

    Chen Zhongfeng smiled and said: "It would be great if that guy is indeed a criminal, so that I can vent my anger."

    Meng Zitao looked at him: "As for you, what's more, what happened just now was also caused by you, right?"

    "I admit this, but I am very unhappy when he opens his mouth like a lion." Chen Zhongfeng said: "Although I say that he opens his mouth like a lion is a bit exaggerated, but I also know the price of that plate. I can buy two for ten yuan."  , he wants two hundred yuan, how can I let him succeed!"

    "You are right."

    Meng Zitao smiled: "Where are we going now?"

    Chen Zhongfeng paused and said sheepishly: "I still have things to deal with, so I have to leave immediately. Wait until next Monday, and I will do my best as a landlord."

    Meng Zitao said: "This matter is not urgent, and I may not have time next Monday."

    Chen Zhongfeng said: "That's up to you. I should be relatively free next week."

    Meng Zitao nodded and continued: "Chen Xiangyi told me just now, let me remind you not to investigate that matter again. He did not tell the truth for everyone's benefit. I think he has a certain point in saying that.  The truth is, you still have to pay more attention. There are some things that you can¡¯t regret. Of course, the decision is in your hands. My opinion is that you still have to think it over carefully. "

    Chen Zhongfeng said: "Don't worry, I will think it over carefully. I'm leaving first. If you need anything, call me."

    "OK."

    When Chen Zhongfeng disappeared, He Wanyi said: "Do you think he listened to what you said?"

    "It's difficult." Meng Zitao shook his head: "But we can't make decisions for him, and we are all adults. We should be responsible for our own choices."

    "Is there no danger?"

    "It's really hard to say this. I hope he has better luck."

    If he hadn't encountered the ancient tomb last time, Meng Zitao felt that there wouldn't be many dangers in going to the ancient tomb other than the traps, but now he doesn't think so, especially when Chen Xiangyi and others encountered such strange and strange encounters.  NoA master with a staff is about to cross the bridge.

    Meng Zitao watched for nearly half an hour before putting down the tools in his hands.

    Maribo asked with a hopeful look on his face: "Xiao Meng, what do you think of this painting?"

    Meng Zitao thought about it for a while and said, "I won't introduce you to Dai Jin. He is a great painter of the Ming Dynasty and the founder of the Zhejiang School. His painting skills are relatively comprehensive. He is good at landscapes, figures, and flowers, and he has many faces.  Changes. His landscape paintings are based on famous painters such as Guo Xi, Li Tang, Liu Songnian, Ma Yuan, and Xia Gui, and also use the tradition of ink painting of the Yuan Dynasty."

    "Dai Jin's large-scale landscape paintings are particularly wonderful, with a broad realm, which makes people feel like 'Lingxu Yufeng, experiencing the prosperity of the eight extremes'. The painting style is mainly courtyard style, with neat and extensive changes in the painting, and also imitating the Song Dynasty.  There are two aspects of human beings, and they combine the ink painting techniques of the Song and Yuan Dynasties into one to form their own unique style."

    Meng Zitao pointed to the scroll: "Let's take this painting as an example. The composition adopts his usual diagonal scene layout. Although this layout method comes from Ma Xia, there are still differences between the two.  , such as the method of selecting the main mountain. The main mountain takes up a larger proportion in Dai¡¯s paintings.¡±

    "The courtyard paintings of the Southern Song Dynasty mainly used the momentum and staggered directions of the main mountain to emphasize the sense of depth, while Dai's paintings focused on leaving a huge space in front of the main mountain to express his concern for modeling. This can also be said  When Dai Jin inherited the painting style of the Southern Song Dynasty Painting Academy, he also absorbed the painting styles of Li and Fan who had a great influence on him."

    "Let's talk about techniques. Dai Jin's brush and ink description techniques for landscapes are roughly divided into two categories: ink halo and axe. The contrast between light and dark of the mountain peaks he painted is very strong. The dark parts use a brush, the handwriting is rough, the ink halo is thick; while the bright parts are not  Applying ink color, through the contrast between the two, expresses clear boundaries. He also often draws clear and distinctive ink lines on the bright parts, and uses a small ax to chop cracks and moss spots along the dividing line between light and dark to express shadows"

    Hearing this, Maribo could not understand what Meng Zitao wanted to express: "Hey, it seems that there is indeed something wrong with this painting."

    Meng Zitao said: "Although it is not an authentic work, it is still at the level of Dai Jin's. As the leader of the Zhejiang sect, people generally spoke highly of Dai Jin during his lifetime and after his death. The inspection was at the same time as Dai Jin's.  If you read the poems and essays of the literati of the time, you will find that in the eyes of the people of the time, Dai Jin was not only excellent in painting, but also elegant in style, without a trace of tacky painting skills. This author has shown this aspect."

    "So I think that even if this painting is not an authentic work, it is still a very high-level imitation. And judging from the paper and other characteristics, it should be a copy made during the Ming Dynasty, and its value is not low."

    "So, this can be considered a blessing among misfortunes."

    After saying that, Maribo took out the calligraphy and painting work he mentioned and let Meng Zitao appreciate it.

    This work is a cursive calligraphy by Sun Kehong from the Ming Dynasty. The level is pretty good, but if you look closely, you can still see a lot of problems.

    Maribo was more open-minded, and his expression before was still bitter. It didn't take long for him to look away, and laughed at himself: "I am getting older, and my eyesight is not good anymore. In the future, I will no longer be as confident as before.  "

    There is an old saying in the antique industry that "old people don't play with antiques." First of all, when people get old, their eyesight and hearing decline, their senses begin to slow down, and they are prone to making mistakes. Secondly, when people get old, they like to listen to compliments and believe in themselves too much, which makes children.  They are easy to be fooled by coaxing and deceiving.

    ¡°Furthermore, as people age, their scope of activities shrinks, and they are not exposed to new counterfeiting technologies. Applying old experience to new problems will inevitably fail.  These are all human weaknesses, so there is a saying that "old people don't play with antiques".  But the word "play" just means to buy.  As we get older, we can still collect and cultivate ourselves.

    Considering that he didn¡¯t want to cause any trouble to Maribo, Meng Zitao quickly revealed the matter and said with a smile that he wanted to appreciate Maribo¡¯s collection.

    Speaking of his collection, Maribo actually felt better and took out many of his favorite collections for Meng Zitao to appreciate.

    "Speaking of getting this piece of Wang Fu's "Seven Character Poems in Running Script", it's quite dramatic"

    Maribo was telling a story about his collection beside him, while Meng Zitao was attracted by this calligraphy work.

    People in the Ming Dynasty tended to create huge scrolls in calligraphy, and often used hard pens, so the sharp edges were easily worn out. Most of the calligraphy seen on large scrolls was clumsy and bald, showing no edge, and was often slightly different from the scrolls they wrote in daily life.  This piece of Wang Fu's calligraphy is powerful, old and vigorous. It looks like a lion coming out of the valley, majestic and majestic; more like the rising tide of the Qianjiang River, surging and turbulent, and the waves are thousands of miles away.  The power and momentum are shocking.

    Not only that, Meng Zitao also discovered another thing during the observation process (Remember the website address: www.hlnovel.com
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