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Chapter 709 Jun Kiln Flower Pot (Part 2)

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    Zou Weilai¡¯s words were obviously beyond Fang Wenliang¡¯s expectations: ¡°Ah, why did you think of rearranging the finance room?¡±

    We all know that financial health is very important to the survival and development of a company, so the feng shui of the financial office is also very particular.  In terms of Feng Shui, if the financial office has bad Feng Shui, it will definitely set back the company's development and may even cause it to go bankrupt.

    ¡°Furthermore, Fang Wenliang knew the financial room of Zou Weilai¡¯s company very well. He had gone in and looked at it before, and there were no problems, so he was a little confused. Well, why did Zou Weilai want to rearrange the financial room.

    Zou Weilai said a little depressed: "Hey, don't talk about it. The person who jumped from the building in my company was the financial staff. I thought it would be better to go and get rid of the bad luck."

    As mentioned before, Zou Weilai has great faith in Feng Shui, so when he said this, Fang Wenliang was not surprised. But then again, if the finance room is well-arranged, it is better to have a bad one.  , that would be troublesome.

    "I wonder which master Mr. Zou asked to help with the decoration?" Fang Wenliang asked.

    "It's me, Master Fang, do you have any opinions?" Master Qiao said.

    Fang Wenliang laughed: "How can I have any objections? However, I still want to see Master Qiao's wisdom. I think there should be no problem, right?"

    "Humph!" Of course Master Qiao couldn't say no, he just responded with a cold snort.

    Of course Zou Weilai had no objection and took everyone to the finance room.

    The people in the finance office looked at everyone curiously, but since the boss was there, they immediately got back to their work.

    To say that Master Qiao is good at Feng Shui, at least from Meng Zitao's perspective, all aspects of the accounting room are well arranged.

    Fang Wenliang looked around carefully. When he saw the beam and the things under the beam, he suddenly paused, then pointed over there and said, "Mr. Zou, that should be the safe, right?"

    "Yes." Zou Weilai nodded.

    At this time, Master Qiao¡¯s expression changed drastically and he said, ¡°Mr. Zou, didn¡¯t I tell you before that I was going to design a ceiling there? Why didn¡¯t you do that and only put the lucky bamboo?¡±

    Once Meng Zitao was reminded, he immediately responded.

    The safe is an important piece of equipment in the financial room, and its placement has a great impact on the overall feng shui environment of the financial room.  First of all, the first thing is that there should be no beams above the safe.  The evil spirit brought by the beam can suppress the wealth of the safe, and directly affect the company's wealth, causing the company's financial difficulties.

    There are generally beams above objects, and lucky bamboos can be placed on both sides of them to make the growing pillars relieve the pressure of the beams.  However, as the key protection object of the financial room, the safe is less likely to be affected by the aura of other objects.  Methods such as placing lucky bamboo when there are beams above it are not very effective in alleviating strong evil spirits.

    Therefore, at this time, you can design a suitable ceiling at the beam to completely avoid the presence of the beam visually, so as to eliminate evil spirits.

    ¡°Obviously, the layout here made this kind of mistake.

    Zou Weilai said in surprise: "Did you say that? Why don't I remember it?"

    Master Qiao suddenly became a little anxious: "I told you clearly that you need a suspended ceiling."

    "No, it doesn't seem to be in my memory." Zou Weilai said again: "Besides, if you reminded me, why didn't you call me again to ask me about the ceiling?"

    Master Qiao was a little speechless. He did not do this perfectly, but he would definitely not make such a common-sense mistake. But at this time, apart from repeatedly saying that he must have said it, he had no conclusive evidence.  Frustrated.

    Looking at Fang Wenliang who was gloating next to him, Master Qiao became angry and said: "Mr. Zou, since you don't believe me so much, then I will leave."

    After saying that, he turned around and left.

    Fang Wenliang watched coldly from the side. Based on his understanding of Zou Weilai, Master Qiao must have said it at that time, but Zou Weilai might have thought it was too much trouble, or he was worried about money, or he might have thought that placing a lucky bamboo would be fine.  So I didn't do what Master Qiao said.

    Because if Master Qiao really didn¡¯t say anything at that time, how could Zou Weilai let Master Qiao go so easily? It was even impossible for Master Qiao to leave safely.

    "This Master Qiao has such a bad temper." Zou Weilai shook his head and then asked, "Master Fang, is there a must-have ceiling?"

    "Yes, unless the safe is moved to another location, the lucky bamboo alone will definitelyThe glaze is purple-red mixed with blue, and the exposed bottom is dark brown, similar to the paste rice bottom of the Chenghua period.

    Even Zheng Anzhi had such a high evaluation. The middle-aged man was very surprised and asked quickly: "Mr. Zheng, how can you tell whether it is an imitation of Song Jun in the Ming Dynasty?"

    Zheng Anzhi talked eloquently while admiring it: "First of all, its soil is gray, brown and black, and it is extremely delicate. The shape imitates Song Jun, including Cong style bottles, jade pot spring bottles, tall plates, lotus leaf lid jars, lotus leaf  Large plates, drums and nail washers, etc. The carcass is solid and heavy, and most of them are furnishing porcelain. The glaze is smooth and bright. Its purple spots are as red as chicken blood, scattered with blue and purple lines. The glaze is applied to the upper part of the foot wall, and the bottom is also glazed.  The base glaze is often a vague beige color, which is different from the aspic green color that occasionally appeared in the Song Dynasty.¡±

    "The glaze texture is a dense pattern of tear marks. There are spiral patterns and papillary marks in the bottles and jars. The most distinctive feature is the dense iron crystal flowers (or rust flowers) in the edge of the mouth. To the naked eye  They look like small bright spots, but when viewed with a 30x magnifying glass, the petals of these iron crystal flowers look like blooming silver-colored flowers. This obvious feature is unique among Jun porcelain in the past dynasties, and it has also become an inimitable feature for future generations of porcelain.  factor."

    Having said this, Zheng Anzhi handed the magnifying glass to the middle-aged man for him to appreciate.

    The middle-aged man held a magnifying glass and indeed saw the characteristics Zheng Anzhi mentioned. Moreover, he had studied Jun porcelain before. After observing it now, he found that Jun porcelain in the Ming Dynasty imitated the Song Dynasty in all aspects to the extreme.  The level is not lower than that of Song Jun.  This feeling can only be experienced when you get your hands on the real thing, not just by talking about it.

    At this time, Meng Zitao brought in another three-legged porcelain. Except for the glaze color, this porcelain was basically the same as the other one.

    Zheng Anzhi observed impatiently again, and said while looking: "It is indeed Mingjun. Look, the size of the bubbles in the glaze is smaller than that of Song Jun. There are more bubbles in the glaze, which looks denser and denser than that of Song Jun."  , the glaze layer is fresher than the plain and thin, with dense pits and pits, which are orange peel patterns. Moreover, the texture of the glaze is more delicate than that of the Song Dynasty, and the weight is also the heaviest among the Jun porcelains of the past dynasties. "

    "Zitao, you should pay special attention to the difference between Jun porcelain from the Jin Dynasty. Some people mistakenly think that Jun porcelain from the Ming Dynasty is Jun porcelain from the Jin Dynasty. This is wrong, because the weight and texture of Ming Dynasty Jun porcelain are much better than those of Jin Jun porcelain. In other words, compared with Jun porcelain,  In terms of the thickness of the fetus, the Song Dynasty is thinner than the Jin Dynasty, and the Jin Dynasty is thinner than the Yuan Dynasty, but the thinnest one should be the Ming Dynasty. The Ming Jun is even thinner than the Song Jun, so the carcass is also the heaviest. So the Ming Jun is still the Jin Jun  It¡¯s clear at a glance.¡±

    Meng Zitao nodded in agreement, but he was a little curious because he had never seen his master so excited (Remember the website address: www.hlnovel.com
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