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Chapter 56 Big joke

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    Meng Zitao didn¡¯t want to deal with this kind of ungrateful bastard, but just as he was about to turn around and leave, he heard the sound of the door opening, and then saw Qian Dexiang¡¯s parents walking in from the door with happy faces.

    Meng Zitao sighed secretly. If he left immediately now, it would definitely be a blow to the old couple. He couldn't bear it. After thinking about it, he could only stay a little longer reluctantly.

    "Forget it, let's take another look, just to give Uncle Qian and the others some face." Meng Zitao comforted himself.

    Feeling that something was wrong with the atmosphere in the room, the old couple paused: "What are you doing?"

    Meng Zitao smiled and said, "We just came out, and Brother Qian was about to show me a few things from his collection."

    Qian Dexiang also nodded in agreement.

    "Is that really the case?"

    The old couple obviously didn¡¯t believe it, and Meng Zitao could only pretend that nothing happened.

    Although Meng Zitao said this, considering his son's character, the old man still pointed at Qian Dexiang and scolded: "If you dare to bully Xiaotao, I will definitely beat you up!"

    Then, he smiled at Meng Zitao and said, "Xiao Tao, if he talks nonsense, just tell me and I will deal with him."

    "Dad, what are you talking about? Can I bully Xiaotao?" Qian Dexiang thought to himself: "It's better for him to bully me!"

    ¡°If Meng Zitao heard this, he would probably turn around and leave without even giving the couple face.

    Next, Qian Dexiang went back to the room to get things. This time he brought back a total of four boxes, including a painting and calligraphy box.

    This left Meng Zitao speechless, thinking that he had been in this business for four years, and if he didn't have special powers, he wouldn't dare to buy calligraphy and painting works.  Qian Dexiang, an ignorant guy who dared to take action, was extremely brave.

    Qian Dexiang pointed to the calligraphy and painting brocade box in his hand and said with a smile: "Xiao Tao, please help me read this calligraphy first."

    To be honest, with Qian Dexiang's eyesight, Meng Zitao wanted to refuse directly, but in the end he endured it and said, "It's not convenient here, let's go to the table and have a look."

    "Okay, okay." Qian Dexiang nodded repeatedly and took the things to the Eight Immortals table nearby.

    "Who wrote this word?" Meng Zitao asked as he opened the scroll.

    "It's cursive written by Zhang Boying." Qian Dexiang said excitedly.

    "Oh." Meng Zitao nodded, feeling somewhat reliable.

    This piece of Boying, with the word Shaopu and the word Shaopu, dates back to the reign of Emperor Guangxu.  He is good at the Six Methods and is a famous calligrapher in modern times. His landscape paintings are pure and ancient.

    Zhang Boying was one of the "Four Great Calligraphers" in Beijing in the early Republic of China, as famous as Fu Zengxiang, Hua Shikui and Zheng Xiaoxu.  He took the essence of Wei stele and obtained the "Boying calligraphy style" which was the essence of Tang Kai script and became popular at that time. He had in-depth contacts with famous domestic masters such as Kang Youwei, Liang Qichao, Zhang Daqian, Qi Baishi, Rong Geng, etc. He was famous for his proficiency in appreciating epigraphy, calligraphy and painting.

    At auctions, the works he collaborated with Zhang Daqian and Qi Baishi all have high transaction prices. Calligraphy works also have prices of hundreds of thousands, but these are generally running script and regular script works. If it is cursive script, he is famous.  Not heard of anymore.

    Since the price is not high, it is generally unlikely that anyone will cheat.  Therefore, Meng Zitao feels that the possibility of this work being authentic is still very high.

    When he opened it, Meng Zitao was a little speechless. This was not cursive writing at all, but running cursive writing.  Running script is a calligraphy and calligraphy style between running script and cursive script. It can be said to be the cursive version of running script or the linear version of cursive script.  It is completely different from cursive writing.

    Qian Dexiang was able to admit his mistakes in running cursive and cursive writing, and Meng Zitao felt a little drunk.  However, thinking about Qian Dexiang's lack of knowledge and skills, he felt a little relieved.

    Since Meng Zitao had studied calligraphy for a period of time before and was somewhat familiar with several famous calligraphers in the Qing Dynasty, he carefully recalled Zhang Boying's calligraphy style and continued reading.

    Zhang Boying's calligraphy is based on Beibei, rooted in the soul of the Han Dynasty and transformed into Su and Huang, with dignified writing power.  The structure of regular script is tight but not rigid, the font is regular and straight but free and easy, the pen is both square and round, broad and majestic, compact and tight.  The running script is simple and graceful, crude and natural, and has an eye-catching effect.  His strong character can also be seen in cursive writing.

    ¡°The calligraphy work in front of me can reflect the characteristics of Zhang Boying¡¯s cursive calligraphy. Meng Zitao thinks it should be an authentic work.  However, what made him feel a little confused was that there were traces of digging and filling in the place of the signature date. This would affect the value of the work. He really couldn't figure it out.It was a false look, which made Qian Dexiang want to cry without tears, and he looked very depressed.

    ¡°Just when Meng Zitao thought that the last one would not be a good thing, he did not expect that what was in the box made his eyes light up.

    This is a small piece of work.

    "Small utensils, big models" is a popular saying in the antique industry when evaluating an artifact.  The so-called "small utensils" often refer to gadgets that are suitable for playing with at hand, while "large objects" refer to objects that are small but have extraordinary magnificence.  The shape of such utensils is often derived from the incarnation of large utensils. Although they are small and exquisite, they still have a solemn atmosphere.

    "Small and large-scale" works are usually made specifically for hands-on play, so they pay more attention to craftsmanship and texture, pursuing perfection in all aspects, and coupled with long-term caressing and playing, the utensils form a unique "paste" and are full of charm.  , so it is very popular among collectors.  (Remember the website address: www.hlnovel.com
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