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Chapter 188
"Let's take a look at the painting first?" Lin Cheng said straight to the point.
Seeing that Lin Cheng didn't seem to be affected by those painters' comments, Lu Dingnan breathed a sigh of relief and said, "Mr. Lin, please follow me."
Under the serious eyes of Professor Lin and Wang Li'an, the voices of those painters became smaller and smaller, and finally no one spoke.
Accompanied by Lu Dingnan, Lin Cheng went straight to the desks in the center of the painting and calligraphy restoration room, and saw the "Luo Shen Fu Picture" that had been restored and placed on the desks.
Almost from the first time he saw this painting, Lin Cheng knew that it was definitely Gu Kaizhi's authentic work.
Although the painting has been broken, Lin Cheng can still feel that Gu Kaizhi's light and smooth brushwork is like a spring silkworm spinning silk. He is worthy of being the pioneer of Chinese figure painting. It's amazing, no wonder Gu Kaizhi can be called a saint of painting by later generations, he really deserves his reputation.
But at this moment, this painting of "Luo Shen Fu" is like a seriously ill patient, lying very weak on the table, Lin Cheng seems to be able to hear the wailing of this painting over and over again.
Fortunately, this painting has undergone salvage restoration, otherwise this famous painting handed down from generation to generation may really be completely eroded by the power of time.
At this time, Lin Cheng noticed a huge LCD screen hanging not far away, and what was displayed on the LCD screen was the picture of "Luo Shen Fu Tu" before it was damaged.
It is precisely because of the comparison between the two that it is possible to see how severely damaged this "Luoshen Fu Picture" is.
The undamaged "Luo Shen Fu Tu" is like a high-ranking king. The whole painting is full of majesty and beauty, which makes people feel very comfortable.
And even though this painting has been restored, it still has a sickly feeling, like an old man lingering on his last breath, and the whole painting is full of fascination, as if he has come to the end of his life.
Seeing this painting, I even feel uncontrollably sad for it.
Seeing that Lin Cheng had been staring at the "Luo Shen Fu Picture" on the table without saying a word, Lu Dingnan asked anxiously, "Mr. Lin, can you restore this painting?"
Hearing this, Lin Cheng nodded and said, "Yes."
Unlike those evasive painters, Lu Dingnan could feel the strong confidence in Lin Cheng's words from Lin Cheng's answer, which immediately lifted his spirits.
"Mr. Lin, is what you said true?" Lu Dingnan asked again.
"If you copied Gu Kaizhi's "Luo Shen Fu Tu" out of thin air, it might still be a bit difficult, but it's just a simple job of taking over the pen, it's not that difficult, and it can be completed in about a day." Lin Cheng said in a flat tone, listening to him From the tone of his speech, the job didn't seem to bring him any pressure.
When Lu Dingnan heard this, he was overjoyed.
At this moment, he really wanted to say to those painters, look, this is the real master, who is not surprised by honor or disgrace, and has an extraordinary bearing.
"How about this, let me draw a partial painting of "Luo Shen Fu Tu" first, practice my hands first, and get familiar with Gu Kaizhi's calligraphy and painting style." Lin Cheng thought for a while and expressed his thoughts.
"This is a good way." Lu Dingnan echoed.
After all, it took countless restoration masters nearly three months to complete the restoration of this painting. If Lin Cheng is going to take over the work on this painting as soon as he comes up, what if there is a mistake? If you want to repair it again, it will be too late in time.
In order for this painting to appear in the cultural exchange exhibition in time, all the writing work must be completed at one time, and there must be no mistakes.
Lin Cheng's method is undoubtedly the most suitable method at present.
Although this "Fu Tu of Luoshen" was drawn by Gu Kaizhi, a painter of the Eastern Jin Dynasty, it is actually a copy of the Song Dynasty, and only part of the characteristics of Gu Kaizhi's painting can be restored. But even so, it is enough to be called a handed down masterpiece.
? If you want to copy ancient paintings, you must make preparations in the early stage.
However, if you want to make a copy so lifelike that it looks like the real one, apart from the painting skills, the most important thing is the preparation of the materials.
For example, the silk paper, brush, ink, paint, etc. of the ancient painting itself, the more detailed and meticulous the materials are prepared, the higher the degree of restoration of the ancient painting will be.
This "Fu Tu of Luoshen" is a copy of the Song Dynasty, and the material is silk, so if you want to copy, the most important material is the silk of the Song Dynasty.
Lin Cheng did not hesitate, and directly told Lu Dingnan the request.
When Lu Dingnan heard the words, he laughed loudly, and said: "We have other good things here, but there are many antiquities. Just wait, I will let people?Here is the silk version of the Song Dynasty for you. "
Don't look at what Lu Dingnan said was easy, but in fact it is because this is the Palace Museum. If it is someone else, it is not so easy to get these Song Dynasty silk books.
After all, the quantity of this thing is small, and it is a one-time consumable. It can be said that it will be used less once, and it cannot be regenerated, so the price of these silk books is quite expensive.
The most important thing is that in order to achieve the best effect, it is best to use silk copies that are contemporary with the original painting.
If you use ancient silk books from other eras, it is likely to be seen through by others, which will lose the meaning of copying.
Soon, two staff members brought a lot of silk books from the Song Dynasty and carefully placed them in front of Lin Cheng.
Lu Dingnan smiled and said: "Mr. Lin, this is the Song silk edition you want, and it was produced in the same era as this "Luo Shen Fu Tu". Please use it as soon as possible."
Seeing Lu Dingnan's appearance, Lin Cheng couldn't help but laugh.
This is the Palace Museum, which dared to use ancient silk books in this way because of its wealth and wealth. If it were replaced by another institution, it is estimated that even if all the family assets were taken out, it would not be able to take out so many silk books of the Song Dynasty at one time.
Next, Lu Dingnan ordered someone to take out the brush and the materials, and then said to Lin Cheng: "Mr. Lin, these are the materials that best fit the characteristics of that era that we can come up with, and it will depend on you next."
Lin Cheng nodded, carefully spread out a roll of Song Dynasty silk, and then picked up a brush.
The moment he picked up the brush, everyone was surprised to find that Lin Cheng's aura suddenly changed dramatically.
In their eyes, Lin Cheng at this time seemed to be a big mountain, and they actually felt small in front of Lin Cheng.
Grandmaster demeanor!
Seeing Lin Cheng's changes, the same word almost appeared in everyone's minds.
Suddenly, Lu Dingnan seemed to have thought of something, and he whispered to everyone: "Don't stand here, leave here. Don't disturb Mr. Lin's painting."
Not long after, the people in the calligraphy and painting restoration room were driven to another room by Lu Dingnan.
On the wall of this room, there is a huge LCD screen.
Through the LCD screen, you can just see the situation in the painting and calligraphy restoration room.
Under everyone's gaze, Lin Cheng finally moved. (Remember the site URL: www.hlnovel.com - Didn't finish reading? Add this book to your favoritesI'm a member and bookmarked this chapterCopy the address of this book and recommend it to your friends for pointsChapter error? Click here to report
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