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Tell me about the latest episode

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    ?

    Tell me about the latest plot, no, talk about the overall plot of the third volume so far.

    Originally, in my mind, the third volume was about the story of the youth wandering in the rivers and lakes. It is a good idea to write about the characters and events in the rivers and lakes, but the reality is often skinny.

    In order to write the third volume well, I read a lot of travel novels, animation, and film and television works.

    Frustrated to find that if travel notes are placed in the online literature circle, the only ending will be dissatisfaction.

    The reason is simple. In travel novels, the protagonist keeps walking and embarking on a journey, which leads to two results:

    One: The character cannot be shaped in depth, and is reduced to a passerby.

    Two: Readers have no sense of substitution and expectation.  .  .

    The first point doesn¡¯t need to be explained. After finally shaping the characters and getting familiar with the place, I immediately set off to leave.

    The deadliest thing is the second point, readers have no sense of substitution and expectation.  As readers, you may not have summed up this phenomenon, but as an author, I have relatively in-depth research on readers' sense of expectation and sense of substitution.

    A fixed map, plump characters, and a sense of expectation and substitution.

    For example, if Xu Qi'an wants to sleep with a girl, who is more looking forward to, sleeping with a master or sleeping with a girl?  Xu Qi'an wants to act aggressively, which one is more exciting to act aggressively in front of the big bosses in the capital or in front of a group of common people?

    The former's sense of expectation is paved by the number of words, while travel novels are too "erratic" and go around, so they can't create this sense of expectation.

    Before the beginning of the chapter, I originally planned to write the Jianghu chapter in the form of a unit drama.

    For example, take the hosts of the nine dragon spirits as the main line, write their stories, and the protagonist participates as a bystander.  But in this way, the protagonist's sense of existence is too low, and it's not cool enough.

    If it's not cool enough, it means it won't work!

    Later, I thought that a large number of small incidents could be used to make up for it and enhance the tension of the plot. Those small incidents don¡¯t have to be useful. It can be that when passing by a certain village, ghosts are found making trouble.

    When passing a certain town, there are squire bullies bullying men and women.

    These are the usual techniques in travel notes, writing about the events and customs encountered by the protagonist on the road, but they are not very useful for the main line.

    Such a fragmented story, it¡¯s okay to write it occasionally, but if you write too much, there is neither a sense of substitution nor a sense of expectation, but it will make readers feel that the author is in water.

    Until now, I haven't thought of a better way to solve these problems.

    I wanted to ask the boss for advice, but after thinking about it, there are not many people who can teach me, and besides, I don¡¯t know anyone.

    Throughout December, my writing status was in a state of desperation.

    I desperately want to find exciting points and increase the tension of the plot, so I have the plot of the Buddha Pagoda, but when I write here, I found a problem: the foreshadowing is not enough.

    This foreshadowing is not to say that the incident is too abrupt, but that the characters of all parties have not yet been plumped up, and the characters are not plump, and the pretense will have no charm.

    However, the writing style of travel notes is like this.

    Next, I will start the plot with "conflict", "crisis", "upgrade" and Sleeping Master as the core.  Then, according to the effect and your feedback, determine the length of the first half of the third volume.

    The Young Detour is only the content of the first half of the third volume.

    Let's stop here first, I haven't coded a single word today, and I've been thinking about these issues.

    ? To write this single chapter, the first thing is to complain and vomit the bitterness of the creation process.  The second is to hope that if readers have any good suggestions, they can mention them in this chapter.

    Stones from other mountains can be used to drill jade, maybe your opinions will bring me inspiration.

    I am eager to have some deep, spiritual collisions with you.  (dog head)

    Well, let's go to eat and finish the codeword.  (Remember the site URL: www.hlnovel.com
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