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Chapter 201, The First Day of World Expo Tour (Part 2)

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    The Shaanxi Pavilion is built in the style of Tang-style palaces, with Huaqing Pool, Huaqing Palace, and "Song of Everlasting Sorrow" as the theme and main line, presenting the life scenes of "the royal palaces of the past, the homes of the people today", and shaping the image of "Humanistic Shaanxi, Shanshui Qinling".

    The museum is divided into four units: "Thousands of Emperors", "Thousands of Culture", "Thousands of Qinling Mountains" and "Thousands of Heroes". Unique cultural symbols and physical scenes are selected to showcase Shaanxi's historical civilization, modern urban life and natural landscape.  Show it to the world.

    In the meantime, two high-simulation robots Tang Minghuang and Yang Guifei interacted with the audience, and there were also wonderful folk customs and Tang Dynasty song and dance performances.

    Lan Feiyang saw that Xiao Yan paid special attention to the two simulated robots that could almost be mistaken for real, and his eyes were filled with excitement; and the old Hua and his wife also stayed in front of the simulated robots for a while.  Unconsciously, he poked Xiao Yan's arm and asked in a low voice, "You designed this?"

    Xiao Yan looked back at him and blushed, and said softly, "It's not me alone, it's a project team, and it was completed with the help and guidance of Mr. Hua."

    "However, if you didn't know it in advance, you wouldn't be able to tell it's a robot. This facial skin, this expression, is exactly the same as a real person!" Lan Feiyang couldn't help but sigh at the advancement of modern technology.

    "What's the matter?" Xiao Yan smiled humbly, "Wouldn't the United Kingdom at the end of the last century be able to clone frogs and sheep? If this technology is allowed to continue, people may have been cloned long ago. Then this is a mere high-simulation  What is a robot?"

    Lan Feiyang couldn't help being speechless.  Are there really such monstrous people and things?

    There are not many tourists on the roads between the museums, so they walk very quickly.

    After leaving the Shaanxi Pavilion, they entered the Shanxi Pavilion again.

    The shape of the Shanxi Pavilion is based on the element that best embodies ancient wisdom in Shanxi - "Gateway" as the main visual symbol, with energy-saving and environmentally friendly fly ash bricks and LED lights as the main materials to form changing exterior wall patterns, respectively displaying the world culture of Shanxi  Heritage, intangible cultural heritage, and folk customs and customs of the Yellow River, Taihang and other places.

    The museum is divided into three parts: "Humanities Hall: City Road", "Energy Hall: City Light" and "Harmony Hall: City Dream". According to the context of urban development, it comprehensively displays Shanxi's human history, energy technology and harmonious future  .

    Through the perfect combination of Shanxi traditional elements and modern high-tech means, it fully demonstrates Shanxi's long history and profound cultural heritage, the new look of economic and social development and the beauty of future development.

    Among them, the first trace of fire 1.8 million years ago can burn more and more vigorously as the power of patting on the handprint increases.

    Next is the Liaoning Pavilion.  The appearance of the Liaoning Pavilion is made of metal plates with a rhythmic shape and blue as the main color, reflecting the toughness of steel and the softness of the sea.

    Above the entrance is a simulation model of the Chinese dragon bird with wings spread.  The exhibits in the museum include the ancient fossils of the world's first flying bird and the first flower discovered so far, six world cultural heritages in Liaoning and 200 firsts created by Liaoning for China's economic development.

    The 360° 4D interactive theater introduces the Liaoning coastal economic belt and the Shenyang economic zone; the multimedia film vividly and intuitively presents the charm, technology, culture, art, sports, customs, etc. of 14 cities in Liaoning.

    After the Liaoning Pavilion came out, Mrs. Hua checked the time.  Decided to go to the southern provinces and cities pavilion in area b to have a look.

    So, they walked through some pavilion areas and stopped in front of the jn provincial pavilion.

    Let me ask, as a native of jn province, how can you not go to the jn hall to support it?

    The shape of the jn pavilion is like an enlarged blue-and-white porcelain container, which makes people feel the unique charm of jn's natural treasures and outstanding people in the white glaze and ancient blue patterns.

    The museum takes "ecology" as the starting point, tells about jn's gorgeous ecological scenery, profound cultural heritage, strong scientific pursuit, and brand-new development scene, and takes "ecological scenery, ecological engineering, and ecological city" as the main line,

    Through the beautiful vision of the ecological and economic construction of the largest freshwater lake in the country, it shows that jn is taking a sustainable development path and creating a new life in which man and nature live in harmony.

    Then came the Guangxi Pavilion.  The pavilion uses osmanthus trees and sweet-scented osmanthus as the visual structure, and the Elephant Trunk Hill is hidden among them, showing the natural ecological landscape of green mountains, green waters, singing birds and fragrant flowers.

    At the entrance of the exhibition hall, there are robots dressed up by girls of the Zhuang nationality to welcome the guests, which is very distinctive.  However, Lan Feiyang felt that this Zhuang girl robot was slightly inferior to Tang Minghuang and Yang Yuhuan from Shaanxi Province.

    The theme is also displayed in the museum through various means such as sand table, model, video, etc., allowing people to linger in the magnificent scenery of Zhuang Township exuding strong Guangxi style.

    The bronze drum image and phantom hydrangea in the exhibition are also unique.

    theLan Feiyang feels that this has the same effect as Master Xuelao's crystal ball.  I was secretly surprised in my heart: the development of this science is really immeasurable!

    Finally, there is the Shanghai Pavilion.  The pavilion takes the shape of Shikumen as the main element, the design style is simple but the atmosphere is strong, the appearance is simple but modern, which is very in line with the cultural characteristics of the city of Shanghai, which is solemn but dynamic, blending history and modernity, and integrating East and West.

    With the theme of "Eternal New World", the exhibition hall displays a more attractive, more integrated and smarter Shanghai through the outer wall space, waiting space and inner field space, expressing the desire for "better city, better life".  Shanghai understands.

    There is a bright holographic motion theater in the Shanghai Pavilion, but it can only accommodate a few dozens of people each time.  Fortunately, it was already dinner time, and there were relatively few tourists, otherwise the old Hua and his wife would definitely not be able to wait.

    Once entering the dynamic cinema, it is like entering a spherical screen. Visitors must first fasten their seat belts to prevent shaking.

    The film tells the life of an old man in Shanghai.

    At the beginning, it was a tram in old Shanghai, and the theater bumped like a tram; suddenly it switched to an old-fashioned carriage, up and down with the bumps of the old horse; in an instant, the screen changed, and the racetrack of the old Shanghai Racecourse appeared vividly in front of you.  And now, while the horses are galloping, the audience feels the speed of the harmonious resonance between the sphere and the horse's back as if they were there.

    The movie stars of old Shanghai, Hu Die and Bai Yang passed by one by one.  The music is melodious, and a song "Night Shanghai" sets off the prosperous past of Shili Yangchang.

    Then there is the beautiful scenery of the Huangpu River on the Bund today. The old man sat alone on the 911 open-top bus and looked up at the bright lights on both sides of the river.

    The audience also skyrocketed, and the propeller of the helicopter brought Lan Feiyang a different personal experience; in an instant, he went into the sea with the submarine to explore.  It's really like going up to the nine heavens and chasing the clouds to embrace the moon, and suddenly going down to the five oceans to hunt for treasures and catch turtles.

    The camera pauses in a young girl's crisp nursery rhyme.  (Remember the site URL: www.hlnovel.com
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