Yao Livas's tone also fluctuated with the plot of the story, and the high-pitched excitement just now stopped abruptly, giving people a feeling that there is still more to say.
Then, after a short pause, he suddenly continued in a low and hoarse voice, "Originally, the Imperial Academy where Li Bai worked was a place where literati gathered.
He is very famous, he is valued by the emperor, and he has a bad personality. No one looks down on him. Of course, people always give him small shoes.
Li Bai complained, "I was originally an evacuated person, and I was repeatedly criticized." I was originally such a free person, but I was ridiculed by a group of narrow-minded people every day.
How could he bear such days. After just over two years, he couldn't hold on anymore.
Arrived at the center of power, but found that he could not save anyone. At this time, the idea of ??learning the Tao began to gain the upper hand again. If I can't save the world, I'd better save myself first. Li Bai finally left Chang'an and returned to the rivers and lakes.
Was Li Bai's trip to Chang'an a complete failure?
I don't think so. After all, Li Bai is a poet. Chang'an had a profound influence on Li Bai's poems, and gave Li Bai an important expressive tool¡ªa sense of music.
When he was a folk, Li Bai attached great importance to learning folk songs when writing poems. After coming to Chang'an, he occasionally helped Tang Xuanzong and Concubine Yang write lyrics, and often came into contact with the masters of silk and bamboo in Liyuan. This group of people represented the highest level of music in the Tang Dynasty.
Since then, his creation has reached a new level, and his sense of rhythm and musicality have been greatly improved. Comparing Li Bai's early works with the famous novels "Will Enter the Wine" and "Sleepwalking Tianmu Sing Farewell" written by Li Bai after leaving Chang'an, you will understand.
He is more flexible in dealing with the rhythm of poems. The three words "Don't you see, the water of the Yellow River comes up from the sky", "Don't you see", can slow down the speed of poetry, just like the short, gentle flow of water before a waterfall falls.
This is why we think Li Bai's poems are particularly good, not only because of the spoken language, but also because he has brought the beauty of music to the extreme in his poems. "
Immediately afterwards, Yao Livas changed the subject, "However, this is the evaluation of later generations. For Li Bai at that time, Chang'an must not be able to stay any longer. He found that this was not what he wanted, so he left to live in seclusion.
If it is a novel, this is a happy ending. But this year, Li Bai was only forty-four years old, and he still had a long way to go.
After leaving Chang'an, Li Bai met Du Fu. The twin stars of the prosperous Tang poetry circle completed their rendezvous.
Here I want to clarify one point for Du Fu. Du Fu was a great poet in the Tang Dynasty, and can even be said to be the greatest poet in China.
However, in my impression before I got to know him in depth, he seemed to be an old man with two straps floating on his hat, who felt a bit bitter and bitter.
This is actually our stereotype of Du Fu. In our Chinese education, Du Fu has always existed as an image of being poor, old, sick, and looking forward to national peace every day.
However, I can tell you clearly that the real Du Fu is not like this. He is not like some articles on the Internet said, he was anonymous all his life, and his value was only discovered after his death;
It's not that he has been unknown all the time, and he can only gain recognition by writing poems that compliment others; even his relationship with Li Bai is definitely not Du Fu's unilateral post.
As for what it is like, let me keep it a secret here, and I will talk about it when I have a chance. Otherwise, I would have made Du Fu go to the wrong set.
Today this is Li Bai's home field.
So, skip this paragraph directly.
After Li Bai bid farewell to Du Fu, he began to learn Taoism again. During this period, he received the "Zhenlu" several times.
What is Zhenlu? It is a document with the names and spells of the gods in the sky, which needs to be taught by the master, which is a kind of identity recognition.
After all, Taoism also has its own levels, and it is not easy to get the real treasures of famous immortal masters.
Li Bai received the "Zhenlu" several times, which means that he has made a stronger progress in learning Taoism and reached a very high level.
He himself said that during this period of time, "I wrote Taoism books in Guannanlou", and I worked hard every day to do research. It was during this period of time that the immortal temperament in him was completely formed.
If you look at Li Bai's poems at this stage, you will feel that his fairy spirit is stronger, and the myth and imagination in his poems are becoming more and more important.
Moreover, he was able to put a lot of effort into the changes of time and space, and he can bring us back to the ancient times together. This change of time and space is actually related to the Taoist concept.
Let's read his song "Farewell".
¡®Farewell, farewell,¡¯There is the second daughter of Huangying, who is in the south of Dongting, the Pu of Xiaoxiang. '
The meaning of the poem is also clear as soon as you hear it.
In ancient times, there were two concubines, Ehuang and Nvying. This poem has a gentle and long breath, just like the beginning of "Once upon a time there was a mountain".
Next, a sudden variation appeared in this poem: 'Who doesn't say that the sea goes down thousands of miles to the depths? '
From storytelling to suddenly entering the environment, the three words "This Liku" have a flat tone between the two words, and the speed is fixed like a nail.
Then, "The day is miserable, the clouds are dark, the orangutans are crying, the ghosts are screaming and raining", exaggerating the environment, deliberately using six characters and seven characters to overlap, and the emotion reaches a small climax.
Throughout the poem, he has always dominated the reader's emotions.
"Who doesn't say that this leaves suffering", Li Bai started from mythology, and actually wrote about the joys and sorrows of the world. If you read his poems carefully, you should be able to feel that although he has a fairy temperament, he has not severed his emotional connection with the world.
He feels that the value standards and behavior patterns of the secular society are absurd, but he also sympathizes with those who have to compete and kill in the dog camp.
While he was learning Taoism, he still observed the world from a high place. He wrote many poems for the common people, such as "War City South" against the war, and "Answering the King's Twelve Cold Nights for Drinking Alone", which scolded Li Linfu and others for killing celebrities in the dynasty.
It can be seen that Li Bai still has no way to let go of the ups and downs of worldly life, and has no way to really achieve the state of forgetting both things and me.
Comparing his childish mentality of "you all look down on me, I still look down on you" when he first retired, you will find that Li Bai at this time is completely different.
For example, if life is a car race, Li Bai has gone from the stage of galloping on the flat ground to the stage of turning and descending, although it seems that it is not as enjoyable as before.
But there are detours, obstructions, and boundaries, so that his control ability can be seen more clearly. "
The air was quiet again, and it seemed that even the wind blowing past my ears involuntarily slowed down.
No one present has ever heard of explaining Li Bai, the poet fairy, in this way. (Remember the site URL: www.hlnovel.com