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Chapter 177

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    Mongolian women especially like to swing.

    Every year during the Qingming Festival, each road government office will hold a "swinging" competition, and her mother-in-law Yu Lu will take this opportunity to show her skills.  But this year, for some reason, she didn't go anywhere and just stayed at home, which made Qingwan's abortion plan come to naught.

    [1] "Huanxi Sand. The Remnant Snow Glows" Nalan Xingde. Ci

    ? Remnant Snow Ninghui Cold Painting Screen,

    The Luomei flute has been changed three times,

    ? No one is in the dim moonlight.

    I am a melancholy guest in the world,

    ? I know what you are crying about,

    Recalling my life in the sound of heartbroken heart.

    These days, although Qing Wan couldn't sleep at night, her appetite increased a lot.  It's all because of the evil in the stomach, desperately absorbing nutrients, which made her "show up" and make a fool of herself!

    In the middle of the night, Qingwan was too hungry to sleep, so she got up and wanted to go to the kitchen to find something to eat.

    She gently opened the door, and a gust of wind blew in. It also blew the sweet and hearty snoring from Beiwu, and Qingwan's tears couldn't help gushing out.  I suddenly felt in my heart, is this deformed love a mistake?  Back then, was it a hasty decision to give up your first love so resolutely?

    Qingwan went back to the room again, took out a jar of "Lotus Baijiu" from the cabinet, opened it, and drank alone.

    She murmured while drinking:

    "Flowers bloom and fall without regret,

    Fate comes and goes like water.

    When flowers fade, they bloom, and when flowers fly, they mourn for flowers.

    Flower sadness is flower tears, and flower tears are flower broken.

    Flowers dance, flowers shed tears, flowers cry and petals fly.

    For whom the flowers are thankful, for whom the flowers are thankful.  "

    On this precarious night, Qingwan misses her cousin Xiuran even more.  She said to herself: "I miss you, after the rain when all the flowers are gone, the remaining petals of the fragrance are rolling in the sad song of the spring rain, and the moment the soul of the flower falls, the wind also stops whispering.

    Several times of life and death, it was you who dragged me back from the line of life and death.

    This time, can you save my life again?

    Why are you no longer looking for me?  Even just seeing each other, just you and me being aloneEven just for a short while, it can wash away most of my filth"

    Qing Wan got up and came to the window, and opened the bead curtain casually.  The breeze brushed her cheeks, the drizzle fell on the window sill, and the tears of Ren Miss flowed wantonly.

    In the darkness, there was a beam of light in the yard, which came through from the lights of the south room.

    Presumably, Ji Xu woke up again.

    Ji Xu has a habit: he has to get up when the rooster crows for the first time. He said that reading at this time is the easiest to remember;  Then I got up with Jackson, went to the yard to practice martial arts, and then recited poems.

    Qingwan stared at the condensed afterglow of this faint beam of light, which penetrated through the flower window on the wall, reflecting the flowers and trees in the yard on the patio, just like an ink painting screen.

    Si Yu cut the light, but she couldn't cut it no matter what.

    In the dark, there seems to be a thread pulling Qingwan.  She accidentally opened the door, walked quietly to the hanging flower door, gently pulled the door bolt, and then turned to close it.

    [2] "Remnant Flowers" Li Shangyin. Poem

    Qing Wan stood in front of Ji Xu's door for a long time, finally mustered up the courage, raised her slender fingers, and knocked on Ji Xu's door.

    There was no echo from inside.

    Possibly, didn't you hear?

    Qing Wan knocked twice more, and said softly: "Brother, it's me!"

    Ji Xu knew that the title of "brother" was definitely not for Mu Yu, but for himself.  I thought to myself, what is she doing here in the middle of the night?  Then he asked, "Miss Qingwan, what's the matter with you?"

    "Well, yes!"

    "Let's talk about it tomorrow, okay?"

    "I think, right now!"

    Ji Xu was quite suspicious, "Then tell me, I'll listen!"

    After thinking for a long time, Qing Wan bit her bullet and said softly:

    "In February and March in Yangchun, the grass and water are the same color;

    Dao meets You Yelang, wishing to meet him sooner.  "

    This is a song in the Yuefu poem "Meng Zhu", a poem of courtship!

    At this time, the air in the room became heavy, and Ji Xu was so frightened that he didn't dare to breathe.

    Qing Wan continued to seduce:

    "Four or five years of hope, the truth will be upset;

    Wishing to be in a place where there is no one, turn around and hug Lang.  "

    The word "Huan" in "Wang Huan""is an ancient Ci card, related to "Partridge Ci" and "Partridge Sky".  Among them, "Partridge Sky" is also called "Partridge Yin" and "Siyue People".  However, Hunan's "Partridge Flying" seems to have a little relationship with Jiangsu and Zhejiang.  "Partridge Sky" is said to be first created by Song Qi in the Song Dynasty, and it was named after a poem from the Tang Dynasty.  Although the content of "Partridge Sky" will also appear in the content of singing "Partridge".  However, there is still no evidence to prove that the music of "Partridge Ci" and "Partridge Sky" are the same music.  Therefore, "Vietnam China" may not be able to connect the two.

    Since "Partridge Flying" is adapted from "Yuezhong Nostalgia", there must be the same or similar content.  "Yuezhong Nostalgia" basically determines the content to be expressed in Zhao's version of "Partridge Flying".  From this, it can be concluded that "Partridge Flying" is a nostalgic work, which uses the music of Hunan to recall the ancient times of Jiangsu and Zhejiang, and the content is the real connection point between the two.

    So let's compare poetry and music.

    In terms of artistic presentation methods, the two are different. "Yuezhong Nostalgia" is presented through the comparison of ancient and modern times; while "Partridge Flying" is laid out and rendered layer by layer through two slow boards, and finally pushes the music to a climax  .

    In the degree of subject participation, the two are also different. In "Yuezhong Nostalgia", the personal subjective emotions are compressed to almost nothing, and it is completely based on facts, which belongs to the "state of no self";  Cathartic emotions are released.  The music arouses the author's emotions from the flight of partridges, or whispers, shallow singing or emotional ups and downs, and finally thinks for thousands of years, writing and thinking like water, with a lot of effort, and a wandering mind.  It expresses the content through one's own feelings and self-image, which belongs to the "state of self".  Therefore, some people say that ""Partridge Flying" does not focus on describing the prosperity of ancient times", which is correct!  It just describes partridges flying and self-esteem.

    In terms of the purpose of writing, "Yuezhong Nostalgia" is a tribute to history and dissatisfaction with reality; while "Partridge Flying" has many uncertain factors, both the emotion of history and the author's association  however, it's all very vague.

    The ancients said that the end of language is music.

    These two works of art let us see the similarities and differences between language and music.  "Partridge Flying" quotes poems as evidence, which not only makes the content more clear, but also complements each other, which can be called a double wall.

    ¡¾2¡¿"Plum Blossom Falling"

    "Plum Blossoms Falling" is a Yuefu horizontal blowing tune, a representative work of ancient flute tunes, and is said to have been composed by Li Yannian in the Western Han Dynasty.  Alias ??"Luomei", "Luomeihua", "Big Plum Blossom", "Little Plum Blossom" and so on.  "Horizontal blowing" belongs to the advocacy department in the ancient Yuefu, and "Plum Blossom Falling" is the "horizontal blowing song" in the advocacy department.  "Horizontal blowing" is not only the abbreviation of horizontal blowing music, but also the title of a musical instrument, whose shape is similar to that of a flute.

    Both "Plum Blossom Falling" and "Folding Willow" are representative of flute music.  Moreover, "Plum Blossom Falling" is also a big angle song, which is used in specific imperial court ceremonies, played by specialized personnel and belongs to certain departments.

    Guo Maoqian's "Yuefu Poetry Collection" said: "The song in the flute of "Plum Blossom Falling" is also."  "Yuefu Explanations" says: There are twenty-eight interpretations of the "Horizontal Flute Song" in the Han Dynasty, created by Li Yannian.  After the Wei and Jin Dynasties, only eighteen songs were passed down.  "Plum Blossom Falling" is one of them.

    Li Bai's poem "Whispering the Flute at the Yellow Crane Tower": "I went to Changsha for the immigrant, but I didn't see my home in Chang'an in the west; I played the jade flute in the Yellow Crane Tower, and the plum blossoms fell in Jiangcheng in May." The "falling plum blossoms" in the river city refer to music.  "Plum Blossom Falling" was written in reverse in order to rhyme.

    In Gao Shi's "Listening to the Flute on the Frontier": "The snow is clean, the Hutian herds the horses, and the moon is bright, and the Qiang flute is guarding the building. May I ask where the plum blossoms will fall? The wind blows all over the Guanshan Mountain." The "plum blossom" also refers to the music "Plum Blossoms"  fall".

    In the ancient Yuefu, poetry and music are inseparable in meaning.  What kind of tune card is, it is matched with the poems of its content.  Therefore, "Plum Blossoms Falling" is also the title of a Yuefu poem.  Generally, the music and poems of "Plum Blossoms Falling" are based on the plum blossoms of Aoxuelingshuang.

    According to the "Yuefu Title Explanation", "Plum Blossom Falling" was originally one of the twenty-eight horizontal blowing songs of the Han Yuefu. It became very popular after the Wei and Jin Dynasties, and was one of the eighteen popular horizontal blowing songs at that time.  Since the Southern and Northern Dynasties, the horizontal blowing song "Plum Blossoms Falling" has also been called the flute song "Plum Blossoms Falling".  By the Tang Dynasty, the flute song "Plum Blossoms Falling" was widely spread in the market, and became the object of frequent singing by poets and inkmen.  It is not only spread in the form of music, but also has a great influence on literature, and there is a grand occasion of "falling plums, fragrant trees, and a thousand articles".  Song, Yuan, Ming and Qing dynasties have also been handed down.  The later popular Qin melody "Three Lanes of Plum Blossoms" was also adapted from "Plum Blossoms Falling".  (Remember the site URL: www.hlnovel.com
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