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Chapter 165

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    ?

    [1] "Autumn Night Moon. Gathering and Separation at the Beginning" Liu Yong [1]. Ci

    At the beginning of gathering and dispersing,

    So he called it, and there was no reason to meet Yimian again.

    ?In recent days, there will be another feast unexpectedly.

    ? To the front, in leisure time,

    Frowning eyebrows and sighing, arousing endless sorrows.

    With tears in my eyes,

    Man to my ears, for all kinds of grievances.

    However, in your own heart, it is difficult to see something.

    Be honest, don't worry about it.

    It is inevitable to accept the heart, and share the long-term with Iraq.

    Only Li Jia and Du Shiniang were left in the room.

    Li Jia frowned, sighed and said, "What? I haven't seen you for a few days. You seem to have lost weight again."

    Du Shiniang shook her head and remained silent.

    Li Jia asked again: "What have you been doing these days?"

    Du Shiniang shook her head again, still speechless.

    Li Jia supported her shaved shoulders with his hands, and stared at her with his head down.  Then, he cupped her cheeks with both hands, and stared deeply into her eyes, "What? Are you really blaming me?" As he spoke, his brows furrowed, his eyes full of distress and helplessness, "You  I don¡¯t know, Shi Niang, it¡¯s really not easy for me to come here. The one in my house is watching too closely. Tonight, if it¡¯s not for the Jia¡¯s treat and it¡¯s raining heavily, I¡¯ll spend the night at his house under the pretext. Otherwise, I won¡¯t be able to survive at all.  Come!"

    Du Shiniang's eyes were already filled with tears, she broke free from Li Jia's hand, and said softly: "Stop talking, I know all about it. It's good when you come~"

    "Then why are you so angry?"

    "I'm mad at you¡ªit's so late, you don't take a sedan chair, you just come here in the rain, and you're not afraid of getting sick?" Du Shiniang said tactfully.

    Li Jia looked at Du Shiniang's coquettish and angry face, still smiling and frowning, and his heart was already overwhelmed.  Seeing that she was wearing a light blue dress, a dark blue satin skirt, and a dark yellow satin vest with a small fringe on the outside, she was indescribably charming, which made him even more fascinated.

    Li Jia took Shiniang by his arms and said, "Okay, don't be angry, it's all my fault. I just hope that one day, you can be my person, and we will be together day and night, so that we will not be this lovesick.  suffering" Then, he sighed again and said, "Do you think my life is easy? Ever since we met on the lake tour, my thoughts have been on you. From morning to night, there is no moment when I can calm down  Yes. In the past, when I had a cup in my hand and a volume in my hand, I enjoyed it endlessly. But now, I can¡¯t read a book;  I have never experienced it before. Shi Niang, do you know? I love you so much that my heart aches!"

    Du Shiniang said: "You hurt, so do I! Your heart hurts, and mine hurts even more!"

    The two looked at each other, silent for a long time

    [2] "There is no reason to send dreams" Qiong Yao. Ci

    "Here, let me show you something that I wrote last night when I couldn't sleep." Li Jia took out a scroll from his sleeve and handed it to Du Shiniang.

    Du Shiniang took it, opened it, and saw that it was dripping with ink, and there was a poem written on it:

    "There is no way to send dreams, no way to deliver thoughts,

    Dreams are also difficult, and it is also difficult to read, and it is difficult to avoid tossing and turning.

    Drunk and never drunk, sleeping and never sleeping,

    It's hard to get drunk and sleep hard, so it's hard to plan at this time.  "

    After listening to these words and reading this poem, every word and every word touched Du Shiniang's heart.  She just felt so tender, even though there were thousands of words in her stomach, she couldn't say a single word.  Holding the scroll, she couldn't hold back any longer, and tears rolled down in strings, moistening the paper and rippling away those emotions.

    At this time, Ruyi came into the room with the food and wine, and she couldn't help saying to Li Jia coquettishly: "Mr. Li, what's wrong with you? If you don't come, our lady will read it early and late, and she will be eager to read it."  I was looking forward to you, but you made people cry!"

    Du Shiniang hurriedly wiped away her tears, turned her head and glared at Ruyi and said, "Who is crying? You dead girl has the most troubles! I'm just"

    "A grain of sand blinds the eyes!" Ruyi said, grinning at them both.  After putting away the dishes and laying out the bowls and chopsticks, she backed away and said, "I think you would rather have me go away than wait here! I'm in the hut next door, if you have something to do, just call me."  That's it."

    Du Shiniang said: "You go! Talkative bad girl, it's none of your business here, you go to sleep!"

    "Yes, miss." Ruyi backed away.

    Li Jia looked at Du Shiniang and smiled: "What a smart girl!" Li Jia exclaimed.

    "Follow me?Having a good understanding of the life of the citizens, Liu Yong¡¯s Ci poems expressing women¡¯s life and feelings not only changed and developed the vocal style of Ci from the music system, but also changed the aesthetic connotation and taste of Ci from the direction of creation, that is, changed  "Elegance" is "vulgarity", which makes Ci move from the aristocratic literary salon to the market again.

    However, Liu Yong's travel poems are quite elegant.  Most of the poems about travel and service have something to do with being unrecognized and falling into the world. This kind of words expresses the feelings of being unrecognized, which itself belongs to the category of "elegant".  The creation of artistic conception, the exaggeration of atmosphere, the use of allusions, and the choice of words and sentences all reflect the characteristics of "elegance", making the words show the characteristics of both elegance and vulgarity.

    (3) Expression technique

    1 Lyrical Selfization

    In the late Tang and Five Dynasties, except for Wei Zhuang and Li Yu's later poems, most of them express the typical emotions such as parting and parting, love between men and women, and mainly adopt the lyrical mode of "endorsement"; Liu Yong's poems pay attention to expressing his own uniqueness  It adopts the lyrical mode of "endorsement" and pays attention to the emotional experience of oneself.  The phrase "Crane Soaring to the Sky. On the Gold List" fully expresses his resentment after losing his name to Sun Shan, and also shows his rebellious and rebellious spirit and unrestrained personality, which is a typical example of this type of work.

    2 Popularization of language

    Liu Yong also made bold innovations in the language expression of Ci.  Unlike literati Ci since the late Tang and Five Dynasties, he only refined elegant and beautiful language from written vocabulary, but made full use of everyday spoken language and slang in real life.  Such as the pronouns "I", "You", "Yi", "Zijia", "Yijia", "A who", the adverbs "í¥", "How", "Zheng", the verbs "Kancheng", "Doulai  ", "Die to death", "Xie De" and so on, Liu Yong used it repeatedly.  Using expressive oral language to enter words is not only lively, but also makes readers and listeners feel friendly and interesting, and easy to understand and accept.

    3 Techniques of narrative and line drawing

    Due to the short length of Xiaoling, it is only suitable to use traditional metaphors to set off and convey the emotions of the lyric protagonist through symbolic image groups.  However, slow Ci can express and expand as much as you want, so Liu Yong transplanted the method of "presenting the facts and speaking directly" to Ci, or directly depicting the rich and complex inner world of the lyrical protagonist layer by layer;  The scenes and processes of development to show the changes in the emotional state of the characters in different time and space scenes.

    In conjunction with the narration, Liu Yong also used a large number of line drawing techniques to describe the scene without substituting it with subtext; the romantic narrative does not need to be rendered, but expresses his heart directly.  For example, "Setting the Storm. From Spring" unabashedly reveals the young woman's life aspirations, describes the scenery and objects, and uses the line drawing method to describe it very carefully.

    4 ingenious structure

    At the same time, Liu Yong is good at using the transformation of time and space to narrate, set, and romance, and develops the dual structure of mutual writing between people and us into a multiple spatial structure in which he misses the other party and imagines the other party misses himself.  Multiple time structures, such as "thinking about a beautiful woman, looking forward to makeup, and missing a few times, knowing the boat in the sky" - "Eight Sounds of Ganzhou. Sprinkling the River and Sky in the Dusk Rain".  (Remember the site URL: www.hlnovel.com
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