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Chapter 127 The Blood of the Setting Sun Rises from the Clouds

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    ?

    On the sixth day of the lunar new year, the Yu family held a wedding ceremony for Wan Sheng and Yu Meipan. Wan Sheng's mother sewed a new wedding dress for "daughter" Mei Pan, which was embroidered with peonies and mandarin ducks.

    The wedding was held in accordance with Mongolian customs, without the excitement of suona and drum music, it was a bit more dignified.

    [1] "Scars of the Flower and the Moon-Shangque" by Wei Zian. Poetry

    Since ancient times, there has been passion and hatred,

    It is hard to find a loving sky here;

    When the love is exhausted, turn to be ruthless,

    Ruthless is more tiring than passionate.

    You compose silent music for me,

    Going here to hear the music is like hearing the king;

    It's hard to know sorrow until it's time to hate,

    I don't know how to hate when I worry about it.

    It was already noon when the welcoming people arrived at the bride's house.

    The people welcoming the bride dismounted one after another, and sent two messengers to report to the bride's family first, while the others sat around and waited.

    After the two sides had a conversation about etiquette and customs, they invited the welcoming team into the courtyard.

    The woman's sister-in-law stepped forward to untie the groom's perfect bow and arrow bag, and the representatives of the relatives of both parties greeted each other, and took their seats after exchanging khatas and exchanging snuff bottles.

    At this time, Wansheng kowtows to the woman's kitchen god and other gods, presents hada and offerings, kowtows to the bride's elders and relatives, and makes a toast to the people at the table in turn.  After the toast, Wansheng entered the "Whole Sheep Seat" and sat down.

    The banquet soon ended.

    The sisters-in-law of the woman's family will dress Wansheng, wear a bow and arrow for the groom, and report to the bride that she can mount the horse.

    Wan Sheng went up to the boudoir in the west building, picked up Yu Meipan who was leaning on the wall beside the bed, and with the support of everyone, got into the carriage parked at the door.

    The team for getting married should rush ahead of the team for sending off the bride, and return to the groom's home to report in advance.

    Following Yu Lu, who was going to greet the relatives, hurried into the Yu Mansion compound, and told Director Yu: "The team to see the relatives will arrive soon."

    Director Yu told everyone: "The young master is coming soon! Come on, get ready!"

    Everyone took their own positions, bowed their bodies and stood on both sides of the middle road in the courtyard.

    Director Yu told the slow-moving servant woman again: "Are you ready? Get ready quickly, hurry up!"

    In Youshi, the setting sun is like blood.

    The convoy to welcome the bride stopped at the gate of Yu Mansion silently.

    Xi Niang opened the curtain of the wedding carriage, and Wansheng immediately got out of the carriage.  He turned around again, hugged his bride from the car, and walked into the gate of Yu Mansion.

    The lama waiting in the courtyard performed a baptism ceremony of "cleaning hands and face" for the bride in Wansheng's arms.  After the mother-in-law Mrs. Yu tasted the milk for the bride, she asked the bride to sit in a specially prepared room for a while, waiting for the wedding ceremony to begin.

    When the time for worshiping heaven and earth comes, the bride and groom's "mother who combs her hair" presides over the ceremony of "worshiping heaven and earth" at the altar.

    Wan Sheng hugged Meipan and knelt on the side of the "hair-combing mother" [it turned out that the bride and groom were kneeling on the left and right sides of the hair-combing mother].  "Hair combing mother" put Wansheng's hands and one of her own into the specially made white cloth bag, and kowtowed in the direction of the god of happiness.  Then the "hair-combing mother" puts the bride Yu Meipan's hair on the groom's shoulders and combs his hair.

    At this time, the woman's sister-in-law came to meet the bride's mother-in-law, Mrs. Yu, with a plate full of food, and motioned to Mrs. Yu to pick up the bride's headgear, and Mrs. Yu would put all the headgear prepared for the bride into the plate.  , Let the bride's sister-in-law send it over.

    After this ceremony is over, the bride is sent to the new house.

    When the bride enters the new house, the mother who combs her hair will take her through the door with forked branches on which hada is tied, and stepping on the sheepskin laid on the threshold to enter the door.  These can only be done by Wan Sheng holding Yu Meipan.

    After the bride entered the new house, the groom used the magic arrow tied with hada to raise the veil of beauty.  The sisters-in-law began to re-comb the bride's hair and put on all the jewelry.

    After the bride has finished dressing, she should have toasted, offered khata and gifts, and kowtowed to the elders such as the father-in-law, mother-in-law, uncle, uncle, uncle, etc. under the leadership of the groom's sister-in-law  Meipan was exempted.

    Wan Sheng picked up the bride who had put on makeup and came to the banquet hall, and the wedding banquet officially began.

    [2] Wei Zi'an's Poetry of "Scars of Flowers and Moons-Xia Que"

    Listen to the wind and feel the autumn rain,

    I have forgotten to drink together at the West Window;

    ? Clouds rise from the sky, the blood of the setting sun,

    A laugh and a tear.

    When will there be wine and singing,

    People laugh at me for being crazy and I am crazy;

    &nbsMing, didn't the original author just waste his feelings?

    Whether it's music reviews or translations, the purpose is to help everyone better use a more correct perspective to feel together, so that audiences and singers can resonate in the same time and space.  Instead of using other people's works to flaunt and show off the music I listen to, I listen to a lot of music, I know a lot, I have a good literary talent, and I even write "utopian multi-dimensional" obscure and inexplicable words and sentences.

    Finally, thanks to artists such as Tamaki Koji and Matsui Goro for bringing us a wonderful experience.

    (4) "Big Cart" Pre-Qin Poetry

    The sills of the big carts are like velvet clothes.  Don't you think?  I am afraid of my son.

    Don't you think about the big carts and the clothes like clothes?  Don't run if you are afraid of your son.

    Gu is in different chambers, and death is in the same acupuncture point.  It is said that I do not believe it, like a bright sun.  (Remember the site URL: www.hlnovel.com
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