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Chapter 544 Landscape Painting (1)

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    You can search "Strong Xueba System" in Baidu to find the latest chapter!

    This answer was within Yan Jiuxi's expectation, but also beyond reason!

    Why do you say that?

    Because Yan Jiuxi has unconditional trust in Su Mo, if so, she predicts that Su Mo's winning rate is only 50% to 60%.

    But if Yan Jiuxi was more sensible, in her opinion, Su Mo had no chance of winning this match.

    Not at all!

    But under such circumstances, Su Mo actually said that he was 50% sure, which really surprised Yan Jiuxi.

    At this moment, even Yan Jiuxi felt a little confused about Su Mo. What kind of boy is this?

    Looking at Yan Jiuxi in a daze, Su Mo couldn't help but put his hand on her little head and rubbed it, messing up the originally soft hair in two or three strokes.

    "Oh, what are you doing?" Yan Jiuxi looked at Su Mo angrily, his mouth was so pouted that he could hang an oil bottle.

    "Girl, this is my punishment for you."

    Su Mo said lightly: "No matter what time, I will be your boyfriend. Of course, I will be your husband in the future. If you look at me with that kind of strange eyes again, be careful and serve me!"

    "I don't!"

    Yan Jiuxi looked angry and turned her head away, but her heart was as sweet as eating honey.

    yes!

    No matter when, this boy is her Xiaomo!

    This will never change!

    "Dingling¡ª" the bell rang.

    As soon as Annie walked in, the art classroom fell silent for an instant. She stood on the building platform and glanced around. When her eyes passed over Su Mo, she paused for a moment, with a complicated look in her eyes.

    "We drew horses in the last class, and everyone drew them very well."

    Looking away, Annie said, "Next, I will announce the homework for this class, landscape painting!"

    "Everyone can draw real landscapes or imaginary landscapes in their minds. The time limit is 30 minutes."

    As soon as the words fell, all the students began to ponder, including Su Mo and Yan Jiuxi.

    Landscape painting, good painting is not good painting!

    It is not difficult to draw its shape, but it is as difficult as heaven to draw its spirit!

    "Xiaomo, how should I paint landscape paintings?" Yan Jiuxi looked at Su Mo begging for help. She didn't even know how to paint because she didn't even know how to paint.

    "This is a bit troublesome to say."

    "It's okay, just tell me."

    Looking at Yan Jiuxi who was looking for knowledge, Su Mo nodded helplessly.

    "There are six points to pay attention to when painting landscapes."

    "Which six o'clock?"

    "The first point is conception. Conception is the soul of a work of art. It is the thoughts and feelings that the author wants to express. The level of conception determines the depth of meaning and artistic charm of the painting.  Only when the composition is established according to the "idea" can a suitable composition be produced to complete the author's painting intention."

    Originally, Su Mo thought that Yan Jiuxi might not understand these things, but seeing her serious thinking, he continued to say: "The second point is to take the momentum!"

    "The composition of landscape painting is mainly to take the momentum. The so-called "potential" is a kind of dynamic feeling of the image. In the theory of ancient landscape painting, it has long been mentioned: "When painting a large landscape, the main thing is to gain momentum.  , the air veins are still running through, the trees are in power, although they are different from each other, they are smooth, the water is in power, although it is strange but not unreasonable, even if it is ordinary, it is not mediocre, and the hillside is in power, although it is intertwined but not chaotic.  why?  It's justified.  "

    "Excellent landscape paintings always make people feel bold, but some paintings make people feel like rockery or bonsai in the garden. The main reason is that they don't draw the momentum that mountains should have.  The scenery, through the processing of perspective, can show its momentum."

    "I seem to understand a little bit."

    Regarding Su Mo's words, Yan Jiuxi was pleasantly surprised, and urged in a low voice: "Xiaomo, you continue."

    "The third point is the relationship between the guest and the host." Su Mo smiled softly.

    "A painting must have a theme, and its key points should be highlighted. It should not be fragmented, treated evenly, and there is no main fulcrum. The theme in the painting is the subject, and the foil is the guest. To determine the guest and host, not only must the guest and the host be distinct, but also  They have to be in harmony with each other, not independent of each other.¡±

    "If there are guests and no hosts, it will be scattered, and if there are hosts and no guests, it will be monotonous. Only when the guests and hosts are properly arranged can the picture feel comfortable."

     "The fourth point, deal with virtual reality, density, and severity."

    "As far as the object of expression is concerned, in general, trees are dense places, mountains and rocks are sparse places, trees and rocks are real places, and clouds and water are empty places. But sometimes the picture needs to treat mountains and rocks as thick and solid, while trees are treated as  In general, mountains, rocks, buildings, and trees are heavy, while clouds are light.¡±

    "However, sometimes the static objects on the picture are large but light, and the moving objects are small but heavy, which involves the processing of the balance of lightness and heavyness. The appropriate allocation of lightness, weight, and size in landscape paintings requires changes like Xia Guo's pole scales.  The balance of the balance must never be taken as the average of the scales."

    "When a painting considers these aspects, the two words of virtuality and reality are important, and in the processing of virtuality and reality, the treatment of the four sides and four corners of the picture is extremely important, because it is related to the long-term effect of the picture, that is, the first  Feeling. Generally, it should be taboo that the screen image is parallel to the four sides, and the dynamics of the image are diagonal.¡±

    "And pay special attention to taboos. The four sides and four corners should be treated the same as the virtual and the real. Pay attention to changes. The so-called "calculate white as black", often use light ink or dry thick ink for the virtual places, and the brush should be simpler  , a few strokes will be sufficient."

    "Wow!"

    Yan Jiuxi looked at Su Mo adoringly, his eyes were full of little stars, "Xiao Mo, you know too much!"

    "You!"

    Su Mo nodded the girl's nose amusedly, "Who told you to read books and only read those autobiographical novels? You should read more useful books."

    "There is a golden house in the book, and there is Yan Ruyu in the book. I don't need to teach you this truth, do you?"

    "Never."

    Yan Jiuxi blinked her eyes, stuck out her tongue mischievously, "It's fine if I have you, just ask if you don't understand!"

    Su Mo: ""

    It seems to be the same reason!

    This is really

    "There are two more points?" Yan Jiuxi grinned.

    "The fifth point, perspective and light and darkness."

    Su Mo shook his head and laughed, and said lightly: "It is very important to adjust the light in general paintings. The light source also comes from a single direction, so it is unified, but landscape paintings generally do not emphasize the light, and the light source does not necessarily require unity. It can be obtained from many aspects.  Since then, the lighting in most landscape paintings is also from top to bottom, or biased toward the top."

    "There is also the last point, three stacks of two sections and opening and closing, this is very important!"

    Su Mo coughed, raised his eyebrows at Yan Jiuxi, and said in the tone of the teacher: "Take your notes, this will be a compulsory test in the future. (Remember the website address: www.hlnovel.com
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