The layout of the houses here is basically a reproduction of the original shape of Qiu Chu Taoist House.
In front is a courtyard with a closed door, but judging from its shape, it is only a relief carved out of rocks, not a real courtyard door.
Here should be a huge space that was hollowed out, and a complex house of Qiu Chudao Guanxing House was built.
The biggest difference is that there is such a vertical hole in the center of the pavilion.
And it should be the location of the pool, which is a flat land.
I paid more attention to the hole I drilled, and suddenly I thought that when the water pool in the Yangzhai of Guanxingzhai overflowed with water, no water overflowed into the Yinzhai. principle.
Before the pool was drained, this hole should be a well connected to the pool in the Yangzhai.
Walking down the pavilion, I looked up subconsciously. The top of the dark house should have been specially treated. It was all flat ores. On the top of those ores, there were many reflective gravels inlaid, like stars in the night sky. There is also a pattern of nine stars in a row.
I am amazed in my heart!
After a while, without wasting any time, I started searching the house.
After a rough look at the other houses outside, it was really the same as a normal stargazing house, and I didn't find anything.
Finally, I entered a corridor in the house. Sure enough, in this yin house, there is also a room for storing books like the Yang house.
However, the door of this room is more complicated. It is a stone door with a groove on it. The shape of the groove is roughly the token.
I took off the token without hesitation and embedded it.
Shimen shook with a click.
I put it on it, and with a little push, it slid to the left for about a distance.
The dark room came into my sight.
However, the layout here is quite different from the stargazing house in Yangzhai.
In this room of Yangzhai, Qiu Chudao's collection of books is full.
And in the room of the yin house, there are no bookshelves, the room is empty, and there are many desks at the edge.
More importantly, in the center of the room, there was a chair with a statue of Qiu Chudao sitting on it.
Beside the statue of Qiu Chudao, there is a statue of a woman squatting.
She wears a Liuyun bun on her head, and the long hair under the bun hangs down to her waist, which is very typical of ancient people's attire.
The shoehorn face was slightly tilted, as if looking up at Qiu Chudao.
Qiu Chudao put his hands on his knees, and a long wooden box was placed on top of it.
This is also another box made of chestnut wood, and a talisman is pasted on it.
I was shocked, is this the thing I'm looking for?
I walked into the room and watched the door from the corner of my eye. If the stone door showed signs of closing, I would escape immediately, but the stone door did not move.
I walked all the way to the statue of Qiu Chudao, and the statue of a woman with a shoehorn face was already close to me. The appearance of this statue is much more refined, the facial features and demeanor are all lifelike.
This also allowed me to distinguish that the one carved in the statue is not Ji Niang. Although her face resembles Ji Niang, she has a pair of red phoenix eyes, slightly raised eye tails, a straight nose bridge, and round cherry lips.
I have seen the statue of Ji Niang, as well as the face of Ji Niang. The specific facial features and expressions are still quite different from the current statue.
After my thoughts calmed down, I also thought about a more important point, that is, the existence of Qiu Chudao and the existence of Ji Niang are not at the same time node.
Although I don't know the details, Qiu Chudao is at least four or five hundred years old.
But Ji Niang became famous a hundred years ago. At that time, she was in her thirties.
If there is no record of the details, it is really impossible to know.
Looking away from the statue of the woman, I focused on the long wooden box.
The talisman paper on the wooden box is very complicated. It starts with a character of forgiveness, and below it is a character of chopping. Below the character of chopping is a boundary. The character of boundary is stretched by about half of the whole rune, and then ends with a character of corpse. .
After hesitating for a while, I reached out and opened the rune carefully. I was careful not to damage it, and I carefully rolled it up and put it in my pocket. Qiu Chudao picked it up in both hands of the statue.
The thin chestnut wooden box is not very heavy. After the runes were opened, I found that there was a .?? font, although the characters are small, there is still the vigor of Qiu Chudao's writing in the handwriting.
"The king of the subjugated country uses its seal. If you want to cut it off, you need Shang Fang's sword to cut the horse and put the corpse on Zhonglong Fenji Mountain."
My eyelids trembled slightly, I murmured out this passage, and remembered it in my heart.
It seems that Qiu Chudao left nothing in the classics, but at this special juncture, he still has something left behind.
I suddenly thought, the jade seal should be in the hands of Liu Sanyuan? How could it be in the hands of Yang Qingshan?
And Yang Qingshan still has a white bone sword in his hand, that sword must also belong to the Qiang people.
At this point in my thoughts, I couldn't help but let out a long breath.
I don't know that this is Yang Qingshan's tyranny, and he can get the jade seal.
Or is it that Liu Sanyuan also gave us a chance, and he wanted to see who could stand in the end given the same opportunity? (Remember the site URL: www.hlnovel.com